The Other Wind Read Free Page A

manner, though sometimes an undue haughtiness, and a generous, uncalculating turn of mind and speech, a way of soaring above mere fact and prose, which those whose minds stay close to merchandise distrust. “Kites without strings,” say the rich men of Havnor of such people. But they do not say it in the hearing of the king, Lebannen of the House of Enlad.
    The best harps in Earthsea are made on Taon, and there are schools of music there, and many famous singers of the Lays and Deeds were born or learned their art there. Elini, however, is just a market town in the hills, with no music about it, Alder said; and his mother was a poor woman, though not, as he put it, hungry poor. She had a birthmark, a red stain from the right eyebrow and ear clear down over her shoulder. Many women and men with such a blemish or difference about them become witches or sorcerers perforce, “marked for it,” people say. Blackberry learned spells and could do the most ordinary kind of witchery; she had no real gift for it, but she had a way about her that was almost as good as the gift itself. She made a living, and trained her son as well as she could, and saved enough to prentice him to the sorcerer who gave him his true name.
    Of his father Alder said nothing. He knew nothing. Blackberry had never spoken of him. Though seldom celibate, witches seldom kept company more than a night or two with any man, and it was a rare thing for a witch to marry a man. Far more often two of them lived their lives together, and that was called witch marriage or she-troth. A witch’s child, then, had a mother or two mothers, but no father. That went without saying, and Sparrowhawk asked nothing on that score; but he asked about Alder’s training.
    The sorcerer Gannet had taught Alder the few words he knew of the True Speech, and some spells of finding and illusion, at which Alder had shown, he said, no talent at all. But Gannet took enough interest in the boy to discover his true gift. Alder was a mender. He could rejoin. He could make whole. A broken tool, a knife blade or an axle snapped, a pottery bowl shattered: he could bring the fragments back together without joint or seam or weakness. So his master sent him about seeking various spells of mending, which he found mostly among witches of the island, and he worked with them and by himself to learn to mend.
    “That is a kind of healing,” Sparrowhawk said. “No small gift, nor easy craft.”
    “It was a joy to me,” Alder said, with a shadow of a smile in his face. “Working out the spells, and finding sometimes how to use one of the True Words in the work . . . To put back together a barrel that’s dried, the staves all fallen in from the hoops—that’s a real pleasure, seeing it build up again, and swell out in the right curve, and stand there on its bottom ready for the wine . . . There was a harper from Meoni, a great harper, oh, he played like a storm on the high hills, like a tempest on the sea. He was hard on the harp strings, twanging and pulling them in the passion of his art, so they’d break at the very height and flight of the music. And so he hired me to be there near him when he played, and when he broke a string I’d mend it quick as the note itself, and he’d play on.”
    Sparrowhawk nodded with the warmth of a fellow professional talking shop. “Have you mended glass?” he asked.
    “I have, but it’s a long, nasty job,” Alder said, “with all the tiny little bits and speckles glass goes to.”
    “But a big hole in the heel of a stocking can be worse,” Sparrowhawk said, and they discussed mending for a while longer, before Alder returned to his story.
    He had become a mender, then, a sorcerer with a modest practice and a local reputation for his gift. When he was about thirty, he went to the principal city of the island, Meoni, with the harper, who was playing for a wedding there. A woman sought him out in their lodging, a young woman, not trained as a witch;