been pushed. She loved it.
Lucy drew a deep breath of the crisp morning air. Her year in the wild promised to be both a personal and a professional challenge, and she relished the chance to prove herself. Sheâd bounced around from job to job in television production for years, picking up jobs where she could and making enough to put herself through college. Sheâd read Trudieâs books when she was a teenager and had dreamed of a life spent alone, with nothing but her strength and wits to sustain her.
An offhand conversation with another producer had resulted in a proposal for a new reality show. Sheâd spend a year in the wilderness, following in the footsteps of famous feminist Trudie Montgomery. Amazingly, her proposal had been accepted, a production budget had been secured and on April first, Lucy had been left in the meadow with Riley and twenty crates of supplies to get her through the next twelve months.
All she had to do was provide at least fifteen hours of video footage per week, chronicling her efforts to survive in the wilderness, recording her thoughts on Trudie, her feminist ideals and the challenges sheâd faced. Meanwhile, the producers were working to sell the series to a network.
Lucy had been given a battery-operated two-way radio to call for help in case of an emergency, a laptop computer with a satellite uplink to upload her video footage each week and a generator to charge both the video camera and laptop.
Figuring it should be charged now, she walked back inside and grabbed the video camera, then sat down on the top porch step and turned it toward herself. Pushing the record button, she smiled. âHooray, hooray, itâs the third of May. Iâve been on the mountain for exactly one month and today, Iâm going to have a visitor. Annalise Montgomery, Trudieâs daughter, has agreed to stop by once a month to check up on me and bring me a few supplies. And to chat with us. Those of you whoâve read Trudieâs books know that Trudieâs friend and lover, Buck Garrison, used to stop by every month with necessities, but there will be no men visiting me.â
Rachel McFarlane and Anna Conners, her two producers, had decided that the entire project, from production on down, should be run by women. The pair had produced an award-winning PBS special on the all-womenâs Americaâs Cup racing crew several years before and were certain that it would be a positive message to send to the public and a good way to market the show to the networks when it came time to sell it.
âWhat do I need?â Lucy continued. âA few extra lanterns for the very dark mountain nights. Another pair of long underwear. Some heavier socks. And a new washboard to do laundry. I could also use some chocolate, but I didnât put that on my list as Iâve decided to go cold turkey.â She paused. âTurkey. Iâd also love a turkey sandwich. Canned meat has already lost its appeal.â
Rileyâs bark caught her attention and Lucy trained the lens on the meadow, hoping to catch Annalise as she approached. In the distance, she made out a lone figure moving toward her. She tried to make out the details of Annaliseâs face, then sucked in a sharp breath.
It wasnât the slender figure of Annalise, but a tall, lanky man who approached. She noticed the rifle slung over his shoulder. He also carried a large frame pack, yet moved as if it weighed nothing.
Lucy had been in the wilderness for an entire month and this was the first visitor sheâd had. Though she felt a small measure of excitement, this wasnât the person sheâd expected. Calling for Riley, she motioned the dog to her side and he sat down, his attention now fixed on the stranger. As the man approached the cabin, Lucy observed him more closely.
He was tall and broad-shouldered, wearing hiking shorts and boots, a faded T-shirt, sunglasses and a cap that shaded his eyes. Thick,