going. Let the pain force her heart to beat so rapidly that it bursts.
So I listen. My fists clench tighterâI think back to the night when Iâd taken my first life, when Iâd stood over Danteâs body. The woman convulses, her eyes flickering about wildly, seeing monsters that are not there. Crimson drops fly from her lips. I take a step back so that her blood doesnât reach the hem of my dress.
At last, the woman freezes, falling unconscious.
I calmly turn back to the rest of our captives, who have become as still as statues. I could slice their terror with my knife. âAnyone else?â My voice echoes in the square. âNo?â The silence lingers.
I lean down. The bag of coins that Magiano had originally thrown at the womanâs feet now lies untouched next to her body. I pick the bag up delicately with two fingers. Then I walk back to my stallion and swing up into the saddle.
âAs you can see, I keep my word,â I call to the rest of the crowd. âDo not take advantage of my generosity, and I will not take advantage of your weakness.â I toss the womanâs satchel of coins to the closest Inquisitor. âChain her up. And track down her family.â
My soldiers drag the woman away, and a new group is brought before me. This time, they each accept their gold quietly and bow their heads to me, and I nod my acceptance in return. The procedure continues without incident. If Iâve learned anything from my past and my present, itâs thepower of fear. You can give your subjects all the generosity in the world, and still they will demand more. But those who are afraid donât fight back. I know this well enough.
The sun rises higher, and two more groups pledge their loyalty to my army.
Suddenly, a sharp object glints in the light. My gaze darts up.
A blade, a needlelike weapon, hurled from the roofs.
On instinct, I pull on my energy and whip an illusion of invisibility around myself. But I do not react quickly enough. A dagger flies right past my arm, slicing deep through my flesh. My body lurches back at the impact, and my invisibility flickers out.
Shouts from the captives, then the sound of a hundred swords scraping against sheaths as my Inquisitors draw their weapons. Magiano is at my side before I can even sense his presence. He reaches for me as I sway in my seat, but I wave him away. âNo,â I manage to gasp out. I canât afford for these Dumorians to see me bleed. Itâs all they need to rise up.
I wait for more arrows and daggers to rain from the roofsâbut they donât. Instead, in the far corner of the square, Sergio and his men reappear. They drag four, five people between them. Saccorists. Theyâre dressed in clothing the color of sand to blend in with the walls.
My anger rises again, and the pain in my bleeding arm only fuels my energy. I donât wait for Sergio to bring them to me. I just lash out. I reach for the sky, weaving, using the fear in the crowd and the strength inside myself. The sky turns a strange, deep blue, then red. The people shrink away, screaming. Then I reach out for the rebels and send anillusion of suffocation around them. They hunch forward in the grips of Sergioâs men, then arch their backs as they sense the air being pulled straight out of their lungs. I grit my teeth and strengthen the illusion.
The air is not air at all, but water. You are drowning in the middle of this square, and there is no surface for you to breach.
Sergio releases them. They fall to their knees, struggling to breathe, and thrash on the ground. I expand my illusion, reaching out for the rest of the captives in the square. Then I lash out with all of my power.
A net of pain blankets all of the captives still sitting on the ground. They shriek all at once, clawing at their skin as if hot pokers were burning them, yanking at their hair as if ants were crawling through the strands, biting at their scalps. I watch
Stephen Goldin, Ivan Goldman