allowing the bolus of leaves to fill with syrups from his gums and face before he began to grind it in his jaws. (A cousin in Peru sent him the stuff in two-pound cans of mountain-grown coffee once or twice a year.)
“How can you stand to chew that shit?” Under his crowns Druff had the decayed and withered posts of an Indian, brown, twiglike teeth. “No,” Dick said, “really, how can you? These days they blow Tops even in the majors.”
“That’s because they’re superstitious,” the commissioner said. “They cut it with the gum and chew each other’s pictures on the baseball cards.”
(At fifty-eight, he liked to get high. He loved the euphoria, of course, the sidebars of music and landscape, everywhere beauty arranged, composed as a photograph; loved the concentration, his lasered focus, the sense drugs gave him of recovered obsession, the small motor movements of the will, his resumed patience with the world, with everything, even the pure plain humanness of his mistakes, his kid’s, his city’s, the tolerance and good intentions dope revealed to him. Though this, doing numbers on the job, was a new wrinkle.)
“What gets me,” Dick said, “I never see you spit.”
Druff spit on the floor of the limo. “Play ball,” he said.
“You’re the commissioner,” said the spy.
And, energy up, told his driver they’d discovered enough potholes for one day, that one day they’d be remembered as the Lewis and Clark of potholes and that they should proceed to City Hall.
Less than fifteen minutes later they were there.
The City Hall in Druff’s city had been built in 1871. It was a tall, narrow structure of dressed limestone, four stories high and only eight windows across, a classical descending hodgepodge of balustrades, cornices, dentils, friezes, keystones and quoins. There were engaged columns between the arched, Italianate windows. There were crests and garlands, a portico with a pediment like a diving platform on which stood a statue of the founder of the department store City Hall had originally been. (Some air of the mercantile about it still, of emporium and records filed years, or of some great commodity exchange, furs, even diamonds, or cotton, or tobacco factorage, something if not actually anachronistic about the place then at least geographically off, as if Druff’s city were three or four hundred miles south of where it really was.)
Druff’s rooms on the fourth floor reminded him of theatrical agents’ or producers’ offices in old thirties films. (When he thought of them he saw them in black and white.) A gate, activated by a buzzer, opened in the low wooden railing that separated the public from the private suites and offices, a toy obstacle, some playpen of the governmental, civil, decorous, beyond which young hopefuls (in those old movies) cooled their heels while waiting not for the appointments which even they knew they would not be given, but for fabulous breaks in the routine, three minutes of extemporaneous, gift democracy to show their stuff when the door to the sanctum opened and Ziegfeld appeared. Which now, since San Francisco, since Harvey Milk and Mayor Moscone, didn’t happen so much. An armed security guard posted outside the little low fence mitigated the old honorable ambience of the place. Up in smoke, gone with the hopefuls themselves. Unless something was on the chest and burning the heels of the security guard too.
Though there were computers in Druff’s building now of course, modems, fax machines. Some people in data processing had desktop- published a pamphlet on sidewalk repair and replacement for his department, another on gutters and pavements, others on street signs, on markers and street graphics, on leaf collection and snow removal, on how to obtain permits for street fairs and block parties, on detours and barricades. And put out brochures on lighting and traffic signals, on street cleaning and lawn maintenance. (Not “lawn.” What was it called,