butt in suede jacketâs wineglass. âI donât think itâs a myth at all. The misconception is that it takes a penis to achieve it.â
âHow interesting,â said Mrs. Farquahar.
âI say!â injected suede jacket, feeling somehow he had been left out of the conversation. âDid you read about that man found impaled in St. Martinâs-In-The-Fields?â
âOh, ghastly business,â Sir Wilfred said.
âOh, I donât know. If you have to go . . .â He wriggled a shoulder and took a sip of wine.
While he was coping with the mouthful of tobacco, Vanessa said to Mrs. Farquahar, âCome, let me introduce you to the young man who has drawn this sparkling company together.â
âYes. Iâd like that.â
They pushed off through the crowd, Vanessa leading the way and prowing through the congested sea of people. Suede jacket stood on tiptoe and waved extravagantly to someone who had just entered, then struggled off after a word of apology.
Jonathan and Sir Wilfred stood side by side against the wall. âWhatâs all this about climbing, Fred?â Jonathan asked without looking at him. âYou get a nosebleed from standing on a thick carpet.â
âJust the first thing that came to my mind, Jon.â The flappy tones of the bungling British civil servant dropped away from his speech.
âI see. Are you still in the Service?â
âNo, no. Iâve been on the shelf for several years now. The extent of my counterespionage activities now is trying to find out how much my chauffeur tells my wife.â
âWhen I saw your name on my appointment to come over here, I assumed MIâ5 had found you an elastic cover.â
âIâm afraid not. I am well and truly out to pasture. The electronic age has caught up with me. One has to be a damned engineer these days to stay in the game. No, I serve my country by chairing committees devoted to the task of bringing cultural enrichment to our shores. You constitute a cultural enrichment.â He laughed. âWho would have thought in the old days when we were flogging about Europe, now on the same team, now in opposition, that we would be brought so low.â
âYou
do
know that Iâm out of it totally now?â Jonathan wanted to be sure.
âOh, certainly. First thing I checked upon when your name came up. The chaps at the old office said you wereâto use their uncomplimentary complimentâpolitically subpotent. By which I take it that you and CII have parted company.â
âThat we have. By the way, congratulations on your knighthood.â
âNot so much of an achievement as you might imagine. These days few people escape that distinction. When you leave the Service they automatically lumber you with a K.B.E. Theyâve found itâs cheaper than a gold watch, I suspect. Ah, the ladies return.â
As she approached, Vanessa said to Jonathan, âI didnât lure you here just to punish you with my acquaintances. Thereâs something I want to show you.â She turned to Mrs. Farquahar. âJon and I have to run off for a moment.â
Mrs. Farquahar smiled and inclined her head.
In the hall where it was relatively quiet Jonathan asked, âWhatâs this all about, Van?â
âYouâll see. A chance for you to pick up some pocket money. But look, donât get uptight, and for Godâs sake, donât cause any trouble. That could be very bad for me.â She led the way down a corridor, past the table at which the maids and catererâs assistants were flirting, to the door of a small private display room. âCome on.â
Jonathan entered, then stopped short. A bronze
Horse and Rider
by Marino Marini stood in the center of a darkened room, its ragged modeling accented by the acute angle of a shaft of dramatically placed light. About forty inches high, a sand-colored forced patina, the modeling seemed to