became D'Artagnan and Ayrshire was Gascony. Called in for a meal that had nothing to do with him, he found it awkward to sit at the table with his sword on.
He has never been the same since. His world has become interwoven with the world of books, to the frequent confusion of himself. Besides reading with manic ferocity, he has been trying to write and his mind has become a literary salon where Hemingway argues with Dickens and Dumas with one book of Jane Austen and Kafka will barely nod to anyone. And his mother keeps butting in too and his father and people he meets in the street and things he reads in the paper and everybody, all talking through one another. It's chaos in here. How is he supposed to sort things out?
Maybe he should just try and become a professional footballer.That would simplify things. The man who runs the amateur team he has played for has said he thinks Tam could do that and Smudger, the gym teacher at Graithnock Academy, told him more than once he had a natural and exceptional talent for the game. But how do you combine that with writing a masterpiece? It isn't easy.
Besides, what he gets out of playing football has no practical application that he can see. It's not about tactics and wearing down the opposition and hitting on the break. It's a feeling. It's a feeling of belonging, of things being right. He reaches a place where he just loves the sound of feet striking the ball, the hastened breathing, the shared exertion. This will do, he thinks. This will do for the time being. He doesn't want the game to end. He doesn't even care too much what the score is. He doesn't think that would go down too well with a professional team. He can imagine coming into the dressing-room after playing for Graithnock FC.
(‘What a feeling, eh? That was some feeling. Did you get that feeling? That sense of the rightness of things? I hope I can get that feeling again next week. And maybe we won't lose 10-0 next week as well.’
The dressing-room reverberates with delighted laughter and applause.)
That's a definite problem he has. His sense of purpose is always being waylaid by the moment for its own sake. He remembers once in an examination he was going well when he happened to glance up from the question he was answering. He saw the examination room filled with frozen sunlight. It was beautiful and the bowed heads had the dignity of statues - a boy with his hand on his neck and a girl's dark hair falling, screening her face. He knew in that instant that everybody here was their own purpose and their preoccupation with other things was missing the point. He wanted to get up and share his revelation with everyone, declare a celebration of just being there. He didn't but he must have lost at least twenty minutes in purposeless wonderment. It was lucky he passed.
Maybe that was one of the reasons he hadn't made it all the way with a girl yet. The underground oral Handbook of Machismo they passed among them might have programmedhim for merciless seduction but the way she smiled would render him idiot with enjoyment or the soft flesh of her upper arm would delay him indefinitely and he would forget what he was supposed to do. Why is he like this?
VORFREUDE?
GRETE TAUGHT HIM THE WORD , he would remember in Edinburgh. Never having learned German, much to his regret (Ancient Greek had much to answer for in his life), he seized on the word as if it might somehow help to plug him into German culture, rather like a day-tripper to Boulogne trying to convince himself that he has explored France. The Greeks had a word for it, they said. He would often think, with sorrow for missed opportunities: no, the Germans did. Schadenfreude. Doppelganger. Zeitgeist. Weltschmerz.
Vorfreude. ‘Pre-joy’, she said it meant. He didn't catch any nuances since they were both naked in a wood near Cramond at the time, and the picnic basket didn't contain a dictionary and the wine said school's out and the finer points of connotation were