as sea cows, lolling on the rocks. Jane stared at those pink acres of marshmallow-soft flesh for a frozen instant, as if the image were a window into an alien and threatening universe. Then she shook her head clear and darted to the desk.
The pressed metal ashtray was exactly where it ought to be. A cigar smoldered on its lip, still damp at one end. Gingerly, she took the smelly thing between thumb and forefinger and held it aside. Hurry! she thought. In among the ashes were what looked to be seven crescent moons carved from yellowed ivory. She picked out two, put down the cigar, and whirled to go.
But then a speck of green caught her eye, and she glanced down in the wastebasket. One corner of a book peeked out from the trash. For no reason that she could think of, she brushed the papers aside to see what it was. Then she saw and caught her breath.
A grimoire!
It was a thick volume in a pebbled green vinyl cover, with the company logo on the front and beneath that a title she could not read in raised gold-edged lettering. Three chrome bolts held in the pages so they could be easily removed and updated. Jane gaped, then came to her senses. Grimoires were valuable beyond imagining, so rare that each was numbered and registered in the front offices. It was impossible that one should end up here, in Blugg's office, much less that it would then be thrown away as worthless.
Still… it wouldn't hurt just to touch it.
She touched it, and a numinous sense of essence flowed up her arm. In a way unlike anything she had ever felt before the volume spoke to her. It was real! Beyond any doubt or possibility of delusion, the book was a true grimoire. Here, within her grasp, was real magick: recipes for hellfire and vengeance, secrets capable of leveling cities, the technologies of invisibility and ecstatic cruelty, power enough to raise the dead and harrow Hell itself.
For a long, timeless instant she communed with the grimoire, letting it suffuse and possess her. At last its whispered promises faded and were still.
She dug it out of the papers.
It was too big to carry in one hand. Jane stuck the stolen nail parings in her mouth, where she could hold them between lip and gum, and seized the book with both hands.
At that instant there was a long, shrill whistle. She turned, and there in the doorway stood the shadow-boy, held back by the fetish-bundles nailed to the jamb, urging her out with anxious sweeps of his arm. Beyond, she saw that the Sand Slinger had been brought under control. Rooster was held captive by one of the hogmen. The spectators were breaking up, some into small knots to discuss what they'd seen, others turning away, returning to their jobs.
Cradling the book in her arms, she ran from the room. It weighed a ton, and she staggered under its weight. But she wasn't going to give it up. It was hers now.
The shadow-boy stood in open daylight, as close to visible as he ever came. "What took you so long?" he whispered fearfully. "He'll be coming soon."
"Here." She thrust the book at him. "Take this back to the dormitory, quick, and hide it under my blanket." When he didn't move, she snapped, "There's no time for questions. Just do it!"
In a voice close to tears, the shadow-boy said, "But what about my lunch?" His head turned yearningly to where the lake hag leaned over her cart, staring slack-jawed at the aftermath of Rooster's fight. She had yet to begin her second swing through the factory.
"You can have mine." Jane dredged her somewhat flattened sandwich from her apron pocket, and slapped it down atop the grimoire. "Now go!"
An indistinct motion that might have been a shrug, and the shadow-boy was gone. Jane did not see him leave. It was as if he had simply dissolved into the gloom and ceased to be.
She raised a hand to her mouth to spit out the stolen nail parings, and simultaneously saw Blugg all the way across the foundry, squinting straight at her. Jane stood in an exquisite paralysis of exposure.
Then