a step back while she wove and rewove furiously, knitting her wards so that the magic, instead of shattering them, was guided until it buried itself into the floors of the Galeries.
Fallen blood. Fallen magic. Stolen magic, hacked away in a rush of pain, the same pain that was now at the back of her mind like a coiled snake.
That upstart girl would never steal again.
The young man was tugging at Ninonâs sleeve now, his face twisted in panic, though Selene could still hear his exhausted panting. âPlease. You canât go up against her. Not for long. Sheâs
House
, Ninon.â
Ninon turned and threw him a withering glance, opening her mouth for some scathing retort. Selene didnât wait. She gathered all that she could, pulling in from the ghosts of the Grands Magasins, from Silverspires and the throne where Morningstar had once sat, from the mirrors and water basins where witches strove to re-create glimpses of the Cityâand sent it, not toward Ninon, but toward the floor. It left her hands, a barely distinguishable tremor, a pinpoint that became a raised line, and then a rift across the faded ceramic tiles that would tear the girl apart.
She had no pity. Not tonight, and certainly not for people who fought for the right to dismember Fallen as if they were cattle.
Too late, Ninon saw it. She turned away from the young man and, raising her hands, tried to absorb the magic as Selene had done. But she was untrained; and the light of the magic left her face, the little flesh and blood sheâd consumed burning like wastepaper in a hearthâher face twisted as she realized that she didnât have power anymore, that she didnât have time to find more, that it was going to hit whatever she did. . . .
âGet out!â Ninon screamed to the young man, in the split second before the rift was upon her.
There was no time left. None at all, and the young man was still there by her side as the rift hit, and the light flared so brightly that even Selene had to avert her eyes. She braced herself for the impact, for the wet sound of bodies twisted past endurance, for the gouts of blood to join the Fallenâs on the floor.
Instead . . .
It was like nothing sheâd ever felt: a stillness, a quiet like the eye in a storm, a slow, delicate weaving that drew, not on the ghosts, not on the City, but on something else entirely. The rift stopped, inches from the young man, who stood with his hands open and sweat glistening on his face, his hair raised on his scalp. For a momentâa brief, sharp moment that etched itself indelibly in Seleneâs mindâhe seemed to hold the weight of her spell in his hands, the whole of her fury and her angerâand then he opened his hands and it was gone, harmlessly snuffed out.
A witch, here? Why hadnât heâ?
She had little time for introspection. Time seemed to resume its normal flow; the young man crumpled like a puppet with cut strings, lying bathed in the Fallenâs radiance. The girl, Ninon, stood for a moment, looking at him, looking at Selene; and then she spun on her heels and ran.
Selene made no movement to stop her. Ninon was hardly worth the trouble, and in any case it was all she could do to stand.
âYouâre a fool,â Javier said gruffly, coming up behind her.
âYou felt it?â
Javier shook his head as he moved to survey the wreckage. âCredit me with a little perception. You canât draw on this much power and hope itâll suffice to end fights. You usually donât get a second chance of casting that kind of spell.â
âWith amateurs, it usually suffices,â Selene said absentmindedly. She looked at the young man again. There was nothing special about him, no tremor of recognition racing up her arms. He was clearly no Fallen. But no witchâeven high on angel essence, even with the most powerful artifacts of a House at her disposalâshould have been able
W. Michael Gear, Kathleen O’Neal Gear