darling...'
'Father would have expected it, wouldn't he?'
'I suppose so. If you put it like that. I suppose, in principle, it is my money too.'
That had become her story; my father had left her nothing, but 'in principle' it was all hers. I understood now why he had disliked her so much, while as a superstitious Catholic he had refused to leave her. Geoffrey, 'the lover', had come in. I suspected that he had been waiting outside until the financing of the new car had been satisfactorily resolved, but he was not about to bring up the subject now. He was a very ordinary man, with one saving characteristic – he knew that he was ordinary, and was always implicitly apologizing for the fact. He was a surveyor who worked for one of the London boroughs; he had an awkward, diffident manner and seemed to fade still further in the company of my brightly clad mother. The strange thing was that both of them seemed to enjoy the situation.
But why was I thinking about these people, as I sat in the house at Clerkenwell? They were no more than phantoms conjured up out of my weakness, their voices less real to me than the shape of this ground-floor room and the texture of its thick stone walls. Here, at last, there was a chance of freedom. I could leave that terrible house in Ealing which had hampered me and injured me for the last twenty-nine years – for the whole of my life – and come to a place which had, for me at least, no past at all. I heard myself talking into the air in my sudden exaltation: 'Let the dead bury their dead.' But even as I said it, I did not know what I meant by it.
Then I noticed something. The shadows within the room seemed to fall at a curious angle, as though they were not properly aligned with any of the objects that created them. And there came upon me a curious fear – that there were, somehow, shadows where no shadows should have been. No, they were not shadows. They were patterns in the dust, caught suddenly in the changing light of that summer's evening. So had my father come here secretly, and entered this room? Had he sat, like me, with his head bowed? And hadn't he once told me that dust was simply the residue of dead skin?
I might have stayed there all evening, gradually enshrouded in darkness and shadow, but I shook myself out of my trance. I had left my suitcase in the hallway and, in the gathering dusk, I collected it and slowly climbed the stairs: there was a bedroom on the first floor, with a bathroom beside it, and I began to unpack my clothes as neatly as if I were in the house of a stranger. But I was so tired that I was hardly able to complete even this minor task. I lay down upon the bed and, closing my eyes, found myself walking along Cloak Lane. I had imagined everything; I had not yet entered the house which my father had left for me. It had four doors, the first of which was black, the second as white and as transparent as crystal, the third was green, and the fourth red. I opened the first door, and the house was full of black dust like gunpowder. I opened the white door, and the rooms within were pale and empty. I opened the third door, and there appeared a cloud of water as if the house were a fountain. Then I opened the fourth door, and I saw a furnace. Before I could move or do anything, I heard a voice close by me distinctly saying, 'You are utterly undone, my little man.'
I sat up, for a moment convinced that the voice had come from somewhere within the room, until I realized that I must have slept and dreamed. But the brief rest had left me unsettled; the room was not cold on that summer's evening, but somehow coldness had entered it while I lay asleep. I got up from the narrow bed and switched on the electric light, hoping that it might dispel the ghost of my unease, but it spread too much brightness; the room must have been built in the early nineteenth century, and this was the wrong kind of light.
*
I woke up the next morning, feeling more hungry than I had ever been