heart.â
âNeither do Lâ Mike put down the stained-glass night-light heâd been inspecting. âFortunately, you have me.â
âYou?â
His tone was mild. âYou sound as if itâs a joke.â He meandered over toward The Embrace .
âIt is a joke.â She suspected heâd deliberately moved closer to the incriminating circle of stained glass to taunt her. Any minute now heâd ask her about it. âYouâre not a machinist,â she said.
âSure I am.â He ran a finger along the ebony wood frame of the piece. âI spent five summers working for Dad, and I even found work as a machinist in Brazil, between expeditions, when I needed the extra cash.â He turned to her. âIâm qualified to produce the cutters for you, Beth.â
Making a deal with Colby would be risking her financial future. She knew that going in. But making a deal with this man would be suicide for her emotional wellbeing. âAnd how long could you spare, Mike? Three days? That wonât be much help.â
He gave her a mock bow. âIâll stay as long as you need me, my lady.â
That almost undid her, but she clenched her hands and forced herself not to react. âSix months?â
He flinched but didnât look away. âSure, if it takes that long.â
âSorry, but I wonât let you martyr yourself on my account. And donât kid yourself. Youâd never last six months. We donât have piranhas in the streams around Bisbee, or ferocious jaguars, or man-eating crocodiles. Youâd go crazy living so far from your precious rain forest, and we both know itâ
A muscle worked in his jaw. âYouâre making this seem tougher than it has to be. Dad was planning to train a couple of people to help manufacture the cutters, anyway. I could train them, and once Dad comes home, he could supervise. Iâd be out of here in six weeks, not six months.â
She began to panic. He and Ernie had thought this plan out very thoroughly, and it might even work, except for the fact that having Mike around would be hell on earth for her. She took refuge in the truth. âI donât want you to stay, Mike.â
Anger flared in his eyes. âDammit, Beth, grow up. What happened eight years ago is no reason to jeopardize your future now.â
She wanted to hit him. Instead she turned away and folded her arms. âIt has nothing to do with maturity. Iâm looking at this from a purely practical standpoint. Working with glass, which is how I earn my living, requires a calm mind. If Iâm in a bad mood, I canât cut the glass without breaking it, so Iâve eliminated the negative influences in my life. I canât risk having you around.â
He was silent for several seconds. âIf Iâm such a negative influence in your life,â he said quietly, âthen why am I hanging in your studio window?â
2
M IKE COULD TELL from the way Bethâs shoulders tensed that sheâd been dreading the question. But she had to know heâd ask about the stained-glass piece.
She kept her back to him. âI think youâd better leave.â
âSorry. Youâre not getting off that easy. I have a right to know why you made this.â
âI donât have to explain anything.â
She had a point. âOkay, supposing I want to buy it? I couldnât find a price tag. How much are you charging for...â He paused and consulted the small white card in a holder on the windowsill beneath the circle of colored glass. âFor The Embrace? â
She muttered something he couldnât understand.
âI canât hear you.â He stepped closer to her. âHow much?â
She whirled to face him, her gaze stormy. âI said itâs not for sale.â
He considered that for a while and became more intrigued by the minute. âWhen did you make it?â
âWhat does it
Emily Minton, Julia Keith