The Healer Read Free Page A

to her.
    I couldn’t explain why I was so sure of it. It was as hard to define as the connection between us. I knew that Johanna would call me, if only she could.
    I took a step away from the desk, unable at first to take my eyes off her papers, her handwriting, the little objects on the table. Then I remembered something.
    I went back to the door of Lassi Uutela’s office. He took no notice of me, so I knocked on the door frame. The plastic cracked against the back of my hand. I was surprised at the loud, hollow sound it made. Lassi stopped his hurriedly typing fingers and left his hands waiting in the air as he turned his head. The irritation in his red-rimmed eyes didn’t seem to have diminished.
    I asked which photographer had been on the job with Johanna, although I had already guessed who it was.
    â€œGromov,” Lassi growled.
    I knew him, of course. I’d even met him. Tall, dark, and handsome. Something of a ladies’ man, according to Johanna, obsessive when it came to his work, and apparently in everything else as well. Johanna respected Vasili Gromov’s skill at his job and liked working with him. They had spent a lot of time together on jobs in Finland and abroad. If anyone had any information about Johanna, it would be him.
    I asked Lassi if he’d seen Gromov. He understood immediately what I meant. He picked up his telephone, leaned his head against the headrest on his chair, and aimed his gaze at the ceiling, either toward the air conditioner duct or toward heaven.
    â€œThis world’s a fucking mess,” he said quietly.

 
    4
    As I made my way home, Lassi’s questions about why I was still writing poetry rose up in my mind again. I hadn’t told him what I was thinking. I didn’t want to. Lassi wasn’t a person you confided in or trusted any more than you had to. But what would I have said, what reason would I have given, for keeping at something that had no future? I would have told him the truth.
    To keep writing was to keep living. And I didn’t keep living or writing to find readers. People were trying to survive from one day to the next, and poetry didn’t have much to do with it. My reasons for writing were completely selfish.
    Writing gave my days a shape, a routine. The words, the sentences, the short lines, brought an order to my life that had disappeared all around me. Writing meant that the fragile thread between yesterday, today, and tomorrow was still unbroken.
    I tried to read Johanna’s papers, but I couldn’t concentrate on anything because of the clatter of beer cans and other trash on the bus. They were thrown there by drunken teenagers who were no real danger to the other passengers, but it was still annoying. The late-night routes were another matter, especially the ones without security guards.
    I got off the bus at the Herttoniemi metro station. I gave a wide berth to a gang of drunken skinheads—a dozen bald scalps that shone with rain and tattoos—avoided the persistent panhandlers patrolling in front of the shops, and headed toward home in the dark evening. There was a break in the rain, and the strong, gusting wind couldn’t decide which direction to blow. It lunged here and there, grabbing onto everything with its strong hands, including the brightly lit security lights on the walls of the buildings, which made it look as if the houses themselves were swaying in the evening darkness. I walked briskly past the day care that had first been abandoned by children, then scrawled on by random passersby, and finally set on fire. The church at the other side of the intersection had an emergency shelter for the homeless, and it looked like it was full to the brim—the previously bright vestibule was halfdim with people. A few minutes later I turned onto the path to our apartment building.
    The roof of the building opposite had been torn off in an autumn storm and still hadn’t been repaired, and the