characters in the city and issued a statement to the effect that no stone will be left unturned in his effort to apprehend the murderer or murderers at once.
Members of Taylor Henry's family stated that he left his home on Charles Street at about half past nine o'clock to.
Ned Beaumont put the newspaper aside, swallowed the coffee that remained in his cup, put cup and saucer on the table beside his bed, and leaned back against the pillows. His face was tired and sallow. He pulled the covers up to his neck, clasped his hands together behind his head, and stared with dissatisfied eyes at the etching that hung between his bedroom-windows.
For half an hour he lay there with only his eyelids moving. Then he picked up the newspaper and reread the story. As he read, dissatisfaction spread from his eyes to all his face. He put the paper aside again, got out of bed, slowly, wearily, wrapped his lean white-pajamaed body in a small-figured brown and black kimono, thrust his feet into brown slippers, and, coughing a little, went into his living-room.
It was a large room in the old manner, high of ceiling and wide of window, with a tremendous mirror over the fireplace and much red plush on the furnishings. He took a cigar from a box on the table and sat in a wide red chair. His feet rested in a parallelogram of late morning sun and the smoke he blew out became suddenly full-bodied as it drifted into the sunlight. He frowned now and chewed a finger-nail when the cigar was not in his mouth.
Knocking sounded on his door. He sat up straight, keen of eye and alert. "Come in."
A white-jacketed waiter came in.
Ned Beaumont said, "Oh, all right," in a disappointed tone and relaxed again against the red plush of his chair.
The waiter passed through to the bedroom, came out with a tray of dishes, and went away. Ned Beaumont threw what was left of his cigar into the fireplace and went into his bathroom. By the time he had shaved, bathed, and dressed, his face had lost its sallowness, his carriage most of its weariness.
6
It was not quite noon when Ned Beaumont left his rooms and walked eight blocks to a pale grey apartment-building in Link Street. He pressed a button in the vestibule, entered the building when the door-lock clicked, and rode to the sixth floor in a small automatic elevator.
He pressed the bell-button set in the frame of a door marked 6ii. The door was opened immediately by a diminutive girl who could have been only a few months out of her teens. Her eyes were dark and angry, her face white, except around her eyes, and angry. She said, "Oh, hello," and with a smile and a vaguely placatory motion of one hand apologized for her anger. Her voice had a metallic thinness. She wore a brown fur coat, but not a hat. Her short-cut hair-it was nearly black-lay smooth and shiny as enamel on her round head. The gold-set stones pendant from her ear-lobes were carnelian. She stepped back pulling the door back with her.
Ned Beaumont advanced through the doorway asking: "Bernie up yet?"
Anger burned in her face again. She said in a shrill voice: "The crummy bastard!"
Ned Beaumont shut the door behind him without turning around.
The girl came close to him, grasped his arms above the elbows, and tried to shake him. "You know what I did for that bum?" she demanded. "I left the best home any girl ever had and a mother and father that thought I was the original Miss Jesus. They told me he was no good. Everybody told me that and they were right and I was too dumb to know it. Well, I hope to tell you I know it now, the…" The rest was shrill obscenity.
Ned Beaumont, motionless, listened gravely. His eyes were not a well man's now. He asked, when breathlessness had stopped her words for the moment: "What's he done?"
"Done? He's taken a run-out on me, the The rest of that sentence was obscenity.
Ned Beaumont flinched. The smile into which he pushed his lips was watery. He asked: "I don't suppose he left anything for me?"
The girl clicked
Elizabeth Ashby, T. Sue VerSteeg