flex my torso to make sure itâll stay in place.
I come out and look in the mirror. Iâm still wearing what I put on in our bedroom in Thrissur this morning. I feel the need to alter my appearance. I take my jacket off, then, and stuff it in my satchel. I roll up the sleeves of my kurta past my elbows and undo three more buttons. I can do nothing radical with my jeans or boots. So I start unbraiding my hair. Thereâs something about dressing my own wounds and fixing my own hair that makes me feel invincible. Look on my works, ye Mighty: I both heal and adorn my own body. In fact I could go for a drink, now.
Here is my new strategy: act normal.
When I come out into the club thereâs a people-scape of black silhouettes against violet light. A Meshell Ndegeocello bhangra remix is making the floorboards shake. The bartender looks like an old Bollywood hero with shaved and pregnant biceps. Heâs wearing a threadbare T-shirt with holes along the seams, carefully placed, Dalit chic, not authentic. His eyes flicker up around my head and, seeing nothing, look back down at me.
âWhat can I get you, madam?â
âJamesonâs.â
He takes a second look at me. âMalayalee?â he says.
Howâd you guess, chutiya?
âNominally,â I say. âMy familyâs lived in Mumbai since the Raj.â Lying is so easy and useful, I donât know why I ever stopped.
âIsnât it Onam?â
âI guess.â
âNot much one for tradition, huh?â
âNot really.â This bartender talks too goddamn much. And Iâm a quiet person. Talking takes energy and anyway, nothing I want to say comes out right. I use my body to talk, when I can, but thatâs not an option here, so I say, âWe live in Santa Cruz East. Havenât been down much lately. Whatâs going on around here?â
âOh, bombs on Azad Maidan, the usual.â He concentrates on pouring my drink, looks angry.
âItâs probably Semena Werk,â I say. Itâs prejudicial speech that Mohini would warn me against. Given the snake. Given the barefoot girl. Given Family History. âThey canât be reasonable.â
âSo they bomb their own people?â
âThey donât think of them as their own people. They think of them as traitors.â
âTrue.â The bartender pushes the glass of whiskey to me. I take a sip and, as soon as the sting reaches my stomach, start to unkink. I hadnât realized how nonlinear the day has been. Now things feel like theyâre proceeding in order.
âLooked like you needed that.â
âI did.â
âGlad I could oblige.â
Iâm beginning to feel comfortable. This may be the end of the mania. Or it may be a new phase of the mania.
âSo what else is going on downtown?â I ask.
âLots of foreigners moving in, especially because of Energy Park.â
âWhich isâ?â
âItâs the cluster of towers at the end of Nariman Shallows, the one that looks like Oz. You should go see it if you havenât. They have a new museum in the HydraCorp building.â
âA museum of what?â
âEnergy.â
âThat could mean a lot of things.â HydraCorp is one of the biggest multinational energy conglomerates. Theyâre also the hippest because they invest five percent of all profits in developing weird new energy sources. I read about a device to power a Gandhian cotton wheel with human shit. I didnât know whether to laugh or cry.
âHave you heard of the Trail?â he asks.
I pause. Mohini and I saw an episode of Extreme Weather! about the Trail a few years ago. The bartender sees I know what heâs talking about and says, âAt the museum, they give you the corporate version, but itâs still worth seeing.â
Now memories come back, shook loose by whiskey. The Trail seemed unreal: a floating pontoon bridge moored just offshore