before I change my mind. And if you see anything weird, donât tell me!â
We nodded and began to walk up the path.
I was frightened, but not terrified. After all, the ghosts we had met so far had actually been pretty nice.
The porch echoed hollowly under our feet.
Norma rang the doorbell. Phoebe took so long answering that I began to think that maybe she had died and the ghost we had sensed was hers. It wasnât until she opened the door and we started to follow her into the parlor that I remembered how slowly she moved.
The parlor was almost pretty. It had a high ceiling, dark blue wallpaper covered with little flowers, and an Oriental rug. The October light streamed in through three tall windows. Clearly the room had once been beautiful. But it looked slightly shabby now, and somehow empty, as if it should have had more furniture than it did. The only decorations were a painting that hung above the fireplace and a large Oriental vase.
The one thing in the room that didnât look worn out was the person sitting in the blue armchair. He was probably about sixty years old, but he had a full head of thick, silvery-white hair. He was dressed in business clothes and looked very formal except for his tie, which was bright red and covered with images of large, fan-tailed goldfish. He stood as we entered the room. Crossing toward us, he said, âYou must be Norma Bliss! Iâm so pleased to meet you!â
Norma looked surprised. âI didnât know I was so famous,â she said with a slight laugh.
âPhoebe has told me all about you.â
âThis is Stephen Bassett, Norma,â Phoebe said. âHeâs a very dear friend of mine. Now, why donât you introduce the girls, while I go get some tea things.â
âMake mine coffee,â said Norma.
As Phoebe left the room, Norma began to introduce us.
Mr. Bassett raised a hand to stop her. âNo need for an introduction. I know who they are.â
âYou do?â I asked in surprise.
âYou are Nina Tanleven, arenât you?â
Judging from the way he laughed, I must have appeared even more surprised than Norma had. âDonât be so worried. You live up the street from me. I know your father. And I assume youâre Chris Gurley,â he continued, turning to Chris.
âHow do you know that?â asked Chris.
âYou two did gain a certain notoriety after your adventure in the Grand Theater this past summer,â Mr. Bassett said. âThe newspapers covered the story, in case you forgot.â
I was starting to like this guy. I figured I might learn something from him.
âYou have the advantage on us, Stephen,â said Norma. âWhy not tell us what brings you here?â
âBusiness,â he said, and shrugged.
Norma frowned. âDonât tell me youâre an antique dealer, too. My business is tough enough as it is.â
âIâm Phoebeâs lawyer,â he said. I could hear a hint of steel in his voice. âIf you want to know anything beyond that, youâll have to ask Phoebe herself.â
I had a feeling tht Norma wanted to give him a big âWell, excu-u-u-use me!â But she held it in and said something polite, and pretty soon the two of them were involved in a conversation that I thought was totally boring.
It didnât seem like the kind of situation where we were going to learn anything. So when Chris made a gesture with her head, I was glad to follow her over to look at the painting that hung above the fireplace.
At first I thought it was just a pretty picture of a forest. Then I realized there were dead bodies scattered among the fallen leaves. After I spotted the first few, I couldnât miss them. My eyes began picking out more and more, almost as if I were staring at one of those find-the-hidden-object pictures.
Some of the bodies were marked with terrible wounds.
My head began to whirl. For a moment the painting seemed to take