old jewelry box.â
âKeys!â He smiled a lop-sided smile. âWell, I have plenty of those.â
He took out a tray lined with red velvet and she saw it held hundreds of keys. Big, small, gold, tin. Keys with pieces of ribbon tied to them, keys with labels, huge church keys, tiny luggage keys.
âMay I see the box?â he said.
Sarah undid it in a rustle of plastic. âItâs this.â
She held it out.
âAh,â the man said. Carefully he took it, his fingers around it. He carried it to a side table and focused a small lamp on it. The silver oak leaves gleamed.
âFine. Very fine. 18th century, perhaps earlier. French. Made in Paris.â
âIs it worth a lot?â She hadnât meant to ask but she was interested now.
He looked at her through the glasses. âDo you want to sell?â
âNo ... at least ... itâs not really mine.â
She hoped he wouldnât think sheâd stolen it, but he wasnât really listening. He was looking through a magnifying glass heâd taken from a drawer, looking at the writing on the box, the words in the strange language. As he did so, she felt him stiffen.
âI just need a key,â she murmured.
Morgan Rees put the glass down with a click on the table and stepped back. He took his hands away from the box.
âIâm afraid I donât have one to fit,â he said in a quiet voice.
Chapter 6
A Terrible Secret
For a moment, Sarah didnât understand. She stared at the shop-keeper, puzzled. âBut ⦠you havenât tried any of them yet!â
âNor will I.â Morgan Reesâs eyes were sharp and thoughtful. Then he took the glasses off and pulled out a white handkerchief. He polished the lenses. âWhere did you get this box?â
At once she held back. âIt ⦠it was a present.â
He looked up. âA locked box?â
She blushed, angry. âDo you think I stole it?â
âIt would be better if you had. Then you could just put it back.â
His voice was grave and worried. He said, âLet me tell you something. This is a box that should never be opened. I believe it contains a great danger. The letters around its rim are very old, and tell of a terrible secret. I have heard of such things before. I will not open it for you, and my advice is that you leave it locked and never try again.â
The fire crackled. Outside, footsteps pattered past the shop window.
Morgan Rees put one long finger on the box. âLet me give you some money for it. Then I will lock it away in my safe and it will be no danger to you, or anyone. Let me do that.â
His soft voice made her pause. And then she thought of the boy, his cold, bony hands twisting at the lid, his bitter voice saying, âHe locked my soul into the box.â How could she leave him to be trapped for all time?
âIâm sorry.â Sarah reached out and took the box, shoving it back into the plastic bag. âIf you wonât help me, Iâll find someone else who will.â
Morgan Rees shook his head. He seemed dismayed. He said, âThen just let me ...â
âThank you. Goodbye.â
Sarah was angry. Her fingers shook as she grasped the door and tugged it open. A cold breeze swept into the shop, making the fire roar and fluttering pages of books. Without looking back to see if he followed, she ran up the step and hurried down the little street. When someone called her name she marched on, not knowing why she was so shaken.
Had he been trying to scare her? She wasnât scared. She knew what was in the box, and he didnât. Heâd wanted the box for his shop. Heâd thought all that nonsense about danger would scare her into selling it cheap. Well, she wasnât such a fool.
âSarah!â
She stopped. The man in the shop didnât know her name. She turned.
Matt was pushing his bike up the street. He came past the shop and she saw that