purified, cleansed, ready for the next life. You know that skull you found?â
He nodded.
âRemember how pure and white it was?â
He remembered.
âWell, thatâs what the ocean does,â she said. âTakes out all the dirt, all the stains of having been alive.â
âYou mean, like a washing machine?â he said.
She laughed. âJust like a washing machine.â
That night, in his room, he took the birdâs skull and held it under the lamp. Aunt Yvonne was right. There was only pure white bone. No trace of anything else. Slowly he raised the skull to his nose and sniffed. There was no smell. He wished he could dive down to the ocean bed and watch his motherâs soul rising from her pure white bones. But it struck him suddenly that he could no longer remember what she looked like. He wouldnât have known how to recognise her.
During the second week, the weather changed and all the pale colours he remembered from two years before came back. The yellows, the whites, the eggshell-blues. Yvonne began to paint again. After their dawn swim together, she would retire to her studio in the eastwing of the house, her hair wrapped in a twist of bright silk, a box of cheroots under her arm. Once he heard the click of her studio door he knew heâd be alone till noon. There were no rules for how to use the time; she expected him to make his own. He filled the first days searching the dunes for shells and skulls or curling into their soft hollows with a book. He was lying on his back one morning after swimming, one hand draped against his belly, the other bent behind his head. His trunks had slipped down and the sun seemed to tug on his blood, he felt his penis swell and push against the damp wool and then, like someone in a trance, he didnât know what he was doing and yet he knew what to do, he built the hot sand into a mound beneath his towel and, turning on to his stomach, began to rub himself against the mound, his legs like scissors, his eyes tight shut, and then that part of him seemed to leap, the sunâs red through his eyelids vanished, he saw green, cool green, water fathoms down, the gloom inside a wood, the stalks of plants, and the breath came out of him ah-ah-ah-ah-ah like something tumbling down a flight of stairs. When he opened his eyes again, the air was blue glass, and a man in a tall hat and a black coat stood on the sand, between him and the ocean. The man raised his stick in greeting, then walked on. Nathan watched until the man grew thin and warped in the fierce air, then he let his breath out and stood up, legs shaking. As he rinsed his towel in the ocean he wondered who the man was. Could he be one of the strangers Dad had talked about?
Walking back to the house that afternoon, he looked up through the bushes and saw Yvonne standing on the verandah. She wore a dress that was as green as an empty bottle of wine and her hands were smeared with red, he thought for a moment that sheâd hurt herself, then he knew that it was just paint. She was leaning forwards from the waist, her head straining on her neck, as if her house was an island and she was scouring the horizon for a wisp of smoke, as if she was hoping she might be saved. He stood below her, unseen. It was a still day. All he heard was one gust of wind passing through the chimes like something breaking slowly, beautifully, inside her. He entered the house through the back door and began to prepare some sandwiches for lunch. âWell,â Yvonne said, when she walked into the kitchen a few minutes later, âat least they wonât have paint on them for once,â and he smiled at her over his shoulder and, if it was a stranger that heâd seen on the beach, well, he thought, at least I didnât talk to him, at least nothing happened.
The next day, towards sunset, he knocked on the door to her studioand walked in. Aunt Yvonne stood in front of her black easel, palette and