even in those moments of pain and humiliation could not imagine myself raising a hand against a fellowman, especially if that fellow man were angry and strong; nor did I try to escape to my room, where, in a drawer, lay a revolver—acquired, alas, only to frighten off ghosts.
The contemplative immobility of my two pupils, the different poses in which they froze like frescoes at the end of this room or that, the obliging way they turned on the lights the moment I backed into the dark dining room—all this must be a perceptional illusion—disjointed impressions to which I have imparted significance and permanence, and, for that matter, just as arbitrary as the raised knee of a politician stopped by the camera not in the act of dancing a jig but merely in that of crossing a puddle.
In reality, it seems, they were not present throughout my execution; at a certain moment, fearing for their parents’ furniture, they dutifully started to phone the police (an attempt that the man cut short by a thunderous roar), but I do not know where to place this moment—at the beginning, or at that apotheosis of suffering and horror when at last I fell limply to the floor, exposing my rounded back to his blows, and kept repeating hoarsely, “Enough, enough, I have a weak heart … Enough, I have a weak …” My heart, let me remarkparenthetically, has always functioned quite well.
A minute later, it was all over. He lit a cigarette, panting loudly and rattling the matchbox; he hung around for a while, appraising matters, and then, saying something about a “little lesson,” adjusted his hat and hurried out. I immediately got up from the floor and headed for my room. The boys ran after me. One of them tried to scramble through the door. I hurled him away with a blow of the elbow, and I know it hurt. I locked the door, rinsed my face, nearly crying out from the caustic contact of water, then pulled my suitcase from under the bed and began packing. It was hard—my back ached and my left hand did not work properly.
When I went out into the hall with my coat on, carrying the heavy suitcase, the boys reappeared. I did not even glance at them. As I descended the stairs, I felt them watching me from above, straining over the banisters. A little way down I met their music teacher; Tuesday happened to be her day. She was a meek Russian girl with glasses and bandy legs. I did not greet her but, turning away my swollen face and spurred on by the deathly silence of her surprise, rushed out into the street.
Before committing suicide I wanted to write a few traditional letters and, for five minutes at least, to sit in safety. Therefore I hailed a taxi and went to my former address. Luckily my familiar room was vacant, and the little old landlady started making the bed right away—a wasted effort. I waited impatiently for her to leave, but she fussed on for a long time, filling the pitcher, filling the decanter, drawing the blind, jerking at a stuck cord or something as she looked up, with open black mouth. At last, after emitting a farewell mew, she left.
A wretched, shivering, vulgar little man in a bowler hat stood in the center of the room, for some reason rubbing his hands. That is the glimpse I caught of myself in the mirror. Then I quickly opened the suitcase and took out writing paper and envelopes, found a miserable pencil stub in my pocket, and sat down at the table. It turned out, however, that I had no one to write to. I knew few people and loved no one. So the idea of the letters was discarded, and the rest was discarded too; I had vaguely imagined that I must tidy up things, put on clean linen, and leave all my money—20 marks—in an envelope with a note saying who should receive it. I became aware now that I had decided all this not today but long ago,at various times, when I used to imagine light-heartedly how people went about shooting themselves. Thus a confirmed city dweller who receives an unexpected invitation from a
Nyrae Dawn, Christina Lee