the old man in horror. Inteb was a hero who had fought in the Syrian campaigns under Thothmes III, the greatest of the Pharaohs, and stories were still told of his prowess and of the rewards that Pharaoh had given him.
The old man raised his hand in a soldier’s salute, and my father handed him the bowl of wine. Then they sat down on the ground for there was not even a bench outside the hut, and Inteb raised the wine to his lips with a trembling hand, careful not to waste a drop.
“My son Sinuhe means to be a warrior,” my father smiled. “I brought him to you, Inteb, because you are the last survivor of the heroes of the great wars and can tell him of the proud life and splendid feats of soldiers.”
“In the name of Set and Baal and all other devils!” cackled the other, turning his nearsighted gaze upon me. “Is the boy mad?”
His toothless mouth, dim eyes, dangling arm stump, and wrinkled, grimy breast were so terrifying that I crept behind my father and gripped his arm.
“Boy, boy,” tittered Inteb, “if I had a mouthful of wine for every curse I have uttered upon my life and upon fate—miserable fate that made a soldier of me—I could fill the lake that Pharaoh has had made for his old woman. True, I have never seen it because I cannot afford to be ferried across the river, but I doubt not I could fill it—ay, and that there would be enough over to fuddle an army.”
He drank again, sparingly.
“But,” said I, my chin quivering, “the soldier’s profession is the most honorable of all.”
“Honor! Renown!” said Inteb, hero of the armies of Thothmes. “Droppings—ordure where flies are bred—no more! Many a lie have I told in my time to get wine out of the goggling blockheads who listened to me, but your father is an upright man whom I will not deceive. Therefore, son, I tell you that of all professions the warrior’s is the most wretched and most degraded.”
The wine was smoothing out the wrinkles in his face and kindling a glow in his wild old eyes. He rose and gripped his neck with his one hand.
“Look, boy! This scraggy neck was once hung with golden chains—five loops of them. Pharaoh himself hung them there. Who can reckon the lopped-off hands I have heaped before his tent? Who was the first to scale the walls of Kadesh? Who burst through the enemy ranks like a trumpeting elephant? It was I—I, Inteb the hero! And who thanks me for it now? My gold went the way of all earthly things, and the slaves I took in battle ran away or perished miserably. My right hand I left behind in the land of Mitanni, and I should long ago have been begging at street corners were it not for the charitable people who give me dried fish and beer now and then for telling their children the truth about war. I am Inteb, the great hero—look at me! I left my youth in the desert, robbed of it by starvation, privation, and hardship. There the flesh melted from my limbs, my skin toughened, and my heart hardened to stone. Worst of all, the parched desert dried my tongue, and I became the prey of unquenchable thirst, like every other soldier who returns alive from foreign wars. And life has been like the valley of death since I lost my arm. I need not so much as mention the pain of the wound and the agony when the army surgeons scalded the stump in boiling oil after the amputation—that is something your father can appreciate. Blessed be your name, Senmut! You are a just man, a good man—but the wine is finished.”
The old fellow fell silent, panted a little, and sitting down again upon the ground, he turned the earthenware bowl sadly upside down. His eyes were glowing embers, and he was once more an old, unhappy man.
“But a warrior need not know how to write,” came my faltering whisper.
“H’m,” said the old man and looked sideways at my father, who quickly took a copper bangle from his arm and handed it to him. Inteb called loudly, and at once a grimy boy ran up, took the ring and the bowl,
Christopher Knight, Alan Butler