imposing man with pale, clear-cut features and a neat moustache. He wore a cravat which was the same green as the feather in his sisterâs cap. He sat down at the head of the table while Ethel fussed over him, brushing a speck of dust now from one shoulder, now from the other. At first sight there didnât seem any likeness between brother and sister. But the light was not good and it grew poorer still when Miss Smight went to draw the curtains and turn down the already dim gas lamps on either side of the fireplace. The room became sepulchral. Ethel Smight retreated to sit on an armchair in the corner.
âMy friends,â said Ernest after a long pause. He steepled his hands like a man in ostentatious prayer. His voice was an actorâs voice, resonant and cultured. It was too big for the room. Tomâs suspicions were beginning to be confirmed. âWe should join hands for a moment.â
Tom regretted that Helen was sitting between him and Mr Smight. But she put out her right hand willingly enough for the medium to take while she slipped her left into Tomâs, who gave it a squeeze. With his own left he clasped Mrs Milesâs right hand and wished it had been the dark-haired Rosalindâs. Mrs Milesâs hand was cool and dry. They all sat like that, in a hand-in-hand ring round the oval table. Ernest bowed his head for a few seconds. Then he looked up in the direction of his sister.
âI require vibrations. Give me a verse please.â
His sister stood, edged her way round the room to the little upright piano, drew out a stool, sat down again and plinked out a few bars. The piano needed tuning. Tom thought he recognized the opening of Jesu, Thou art all our Hope . As the music started to play, Ernest nodded as if to show he was receiving the vibrations he wanted. The music stopped abruptly. Ethel sat back on the piano stool. There was another prolonged pause.
Tom was starting to wonder what, if anything, was due to happen next when his ear was caught by a chinking sound. It was coming from the surface of the table. In the very centre had been positioned the tambourine. Tom couldnât be sure but the simple instrument seemed to be regularly rising and falling a few inches up and down above the baize cloth, giving itself a brisk shake each time it did so. He couldnât be sure because the light in the room had grown even dimmer and his eyes seemed to be watering. Yet the tambourine was surely moving a few inches, now up, now down. Then it was time for a contribution from the handbell which made a few dinging noises although without moving.
All this while they sat hand in hand round the table. As the tambourine moved and the bell sounded, Tom felt Helenâs hand tighten in his own sweating grasp. Mrs Milesâs by contrast stayed cool and unmoving. Sheâd probably seen it all before. Holding hands was a guarantee that no one could be manipulating the objects on the table â yet the trick might be done with devices involving wires or extending tongs. And where was Ethel Smight? What was she doing? Still at the piano? Tom thought so but the room now seemed so hazy that it was hard to make out.
The noises stopped. Ernest Smight, who had been sitting with his chin sunk on his chest, suddenly looked up in the direction of Mrs Miles. When he spoke, his voice was different, not so resonant, more familiar.
âThere is a spirit appearing behind you, dear. A short gentleman with a tanned complexion. He is young but with lines on his face as if he was accustomed to spending a long time in the open.â
Mrs Miles shook her head in a sign that she didnât recognize the description.
âAnd his clothes are wet,â continued Ernest. âHe is holding something in his hand which I cannot quite discern. A piece of rock, perhaps.â
âHe is my brother, Robert,â said the dark-haired Rosalind, speaking for the first time.
âAh, I see how he moves towards