drawing rooms overlooking the lagoon, hissing at the snakes which glided softly among the damp, fungus-covered settees. They stepped into the cutter and Macready slammed the door of the cage behind them.
Five minutes later, the catamaran gliding and swirling behind the cutter, they set off from the hotel across the lagoon. Golden waves glimmered up into the boiling air, the ring of massive plants around them seeming to dance in the heat gradients like a voodoo jungle.
Riggs peered sombrely through the cage. "Thank God for that signal from Byrd. We should have got out years ago. All this detailed mapping of harbours for use in some hypothetical future is absurd. Even if the solar flares subside it will be ten years before there's any serious attempt to re-occupy these cities. By then most of the bigger buildings will have been smothered under the silt. It'll take a couple of divisions to clear the jungle away from this lagoon alone. Bodkin was telling me this morning that already some of the canopies—of non-lignified plants, mark you—are over two hundred feet high. The whole place is nothing but a confounded zoo."
He took off his peaked cap and rubbed his forehead, then shouted across the mounting roar of the two outboard diesels: "If Beatrice stays here much longer she will be insane. By the way, that reminds me of another reason why we've got to get out." He glanced across at the tall lonely figure of Sergeant Macready at the tiller, staring fixedly at the breaking water, and at the pinched haunted faces of the other men. "Tell me, Doctor, how do you sleep these days?"
Puzzled, Kerans turned to look at the Colonel, wondering whether the question obliquely referred to his relationship with Beatrice Dahl. Riggs watched him with his bright intelligent eyes, baton flexed between his neat hands. "Very soundly," he replied carefully. "Never better. Why do you ask?"
But Riggs merely nodded and began to shout instructions at Macready.
CHAPTER TWO
THE COMING OF THE IGUANAS
Screeching like a dispossessed banshee, a large hammer-nosed bat soared straight out of one of the narrow inlets off the creek and swerved straight toward the cutter. Its sonar confused by the labyrinth of giant webs spun across the inlet by the colonies of wolf spiders, it missed the wire hood above Kerans' head by only a few feet, and then sailed away along the line of submerged office blocks, gliding in and out of the huge sail-like fronds of the fern trees sprouting from their roofs. Suddenly, as it passed one of the projecting cornices, a motionless stone-headed creature snapped out and plucked the bat from the air. There was a brief piercing squawk and Kerans caught a glimpse of the crushed wings clamped in the lizard's jaws. Then the reptile shrank back invisibly among the foliage.
All the way down the creek, perched in the windows of the office blocks and department stores, the iguanas watched them go past, their hard frozen heads jerking stiffly. They launched themselves into the wake of the cutter, snapping at the insects dislodged from the air-weed and rotting logs, then swam through the windows and clambered up the staircases to their former vantage points, piled three deep across each other. Without the reptiles, the lagoons and the creeks of office blocks half-submerged in the immense heat would have had a strange dream-like beauty, but the iguanas and basilisks brought the fantasy down to earth. As their seats in the one-time boardrooms indicated, the reptiles had taken over the city. Once again they were the dominant form of life.
Looking up at the ancient impassive faces, Kerans could understand the curious fear they roused, rekindling archaic memories of the terrifying jungles of the Paleocene, when the reptiles had gone down before the emergent mammals, and sense the implacable hatred one zoological class feels towards another that usurps it.
At the end of the creek they entered the next lagoon, a wide circle of dark green
Tim Curran, Cody Goodfellow, Gary McMahon, C.J. Henderson, William Meikle, T.E. Grau, Laurel Halbany, Christine Morgan, Edward Morris