The Double Eagle Read Free Page A

greedy.

    Instead, he picked his way back through the chalk circles to the edge of the silk rug that filled the floor between the desk and the window, its colors shimmering in the pale moonlight. With his back to the window, he gripped one corner of the rug and threw it back. Underneath, the wood was slightly darker where it had been shielded from the bleaching sun.
     
    Kneeling, he placed his gloved hands flat on the floor and slid them slowly across the dry wooden surface. About two feet in front of him, the tips of his fingers sensed a slight ridge in the wood. He moved his hands apart along the ridge, until he reached what felt like a corner on both sides. Placing his knuckles on these corners, he leaned forward with all his weight.

    With a faint click, a two-foot square panel sank down and then sprang up about half an inch higher than the rest of the floor. It was hinged at the far end and he folded the panel back on itself so that it lay flat revealing a gleaming floor safe.
     
    The safe manufacturing and insurance industries cooperate on the security ratings of safes. Manufacturers regularly submit their products to independent testing by the Underwriters Laboratory, or UL, who in return issue the safe with a Residential Security Container Label that allows the insurers to accurately determine the relevant insurance premium.

    The safe that Tom had revealed had, according to its freshly affixed label, been rated TXTL 60. In other words, it had been found to successfully resist entry for a net assault time of 60 minutes. It was one of the highest ratings that UL could give.
     
    Even so, it took Tom just eight and a half seconds to open it.

    Inside there was some cash—around $50,000 he guessed—jewelry, and a 1920s Reverso wristwatch. But he ignored all these, turning his attention instead to a large wooden box, its dark mahogany lid inlaid with a golden double-headed eagle, an orb and scepter firmly gripped in each of its talons. The Romanov imperial crest. He eased the box open, carefully lifting the precious object it contained out from the luxuriant embrace of its white silk lining.
     
    He felt his pulse quicken. Even to him, who had seen myriad objects of breathtaking beauty, this was an exceptional piece. So much so that he took the unprecedented step, for him at least, of sliding his mask up off his face for a better view. His uncharacteristic imprudence was almost immediately rewarded. As the moonlight caught its jeweled surface, the delicate object came alive in his hands, glowing like firelight through the hoarfrosted window of a remote wooden cabin.

    The words on the roughly torn page from the Christie’s catalog that had been included with his briefing notes immediately came tumbling back into his head.
     
    The Winter Egg was made by Carl Fabergé for Tsar Nicholas II to give to his mother, the Dowager Empress Maria Feodorovna, for Easter in 1913. The egg, cut from Siberian rock crystal, is encrusted with more than three thousand diamonds, with another 1,300 diamonds adorning the base.

    As with all Fabergé’s eggs it contains an Easter “surprise,” in this case a platinum Easter basket decorated with flowers made from gold, garnets, and crystals. The basket symbolizes the transition from winter to spring.
     
    Alone, he gazed at the egg. Soon, he could hear nothing except the steady rise and fall of his own chest and the ticking of an unseen clock. And still he stared, the room melting away from the edge of his vision, the diamonds sparkling like icicles in a midday sun, until he was certain he could see right through the egg, through his gloves and his fingers to the bones themselves.

    Suddenly he was back in Geneva, standing at the foot of his father’s coffin, candles sputtering on the altar, the priest’s voice droning in the background. Some water had dropped off the circular wreath onto the coffin lid and was trickling off the side and onto the floor. He had stood there, fascinated,