lawyering because itâs more sensible than art, but in truth thatâs where my heart lies. Unfortunately, heart and talent do not always coincide. I have a limited aptitude for pictures: though I can form a drawing well enough, I am completely bamboozled by paint. Iâve tried watercolours, egg tempura and oils, all with the same, muddy results. So my artistic endeavours are limited to the making of sketches in ink ⦠and in private. Who would want to hang a scratchy impression of a spade, rain-cloud, or side of beef on their wall, anyway? Nobody. Since those are the sorts of things Ifind myself compelled to produce, I prefer to keep the results between shut covers. The only time Iâve made an exception to this rule still makes me wince: in a fit of openness â or to impress her, if Iâm honest â I showed a series of unconvincingly optimistic drawings (a robinâs nest, daffodil bulbs, a rowing boat) to Lilly not long after we first met. She declared herself âcharmedâ by them. Ever since then Iâve kept my sketchbooks in a strongbox with a good lock. The law is at least a realistic means of making my own way in the world.
I ground on through the remains of that morning â more out of loyalty to Carthy than anything else â only pausing once, towards lunchtime, when I came across a document which, when Iâd read it, propelled me from my desk to stand before the window again, eyes lifted to the sky. I thought for a moment, chewing on my lower lip. Seagulls knifed this way and that above the rooftops.
âYou may as well call on her for lunch if the alternative is such productive mooning.â
Carthy had appeared in the doorway again. I would have liked to tell him that I had not paused to think of Lilly all morning, but in trying to persuade him of that, I sensed I would achieve the opposite, and besides, I felt a stab of something approaching shame at admitting the omission to myself.
âPerhaps I will,â I said.
âDonât look so happy about it! This phase will soon pass. I remember it well. No sooner have you popped the question than the napkin-and-bunting conundrums begin.â
Carthy was avoiding addressing the contents of the folder with this prattle. For now I did so, too.
âAfter submitting to the colour swatches for half an hour, Iâll be sure to return to work refreshed.â
âAll excitements are relative, itâs true,â said Carthy, brows creased in mock-concern. âWell, Iâll leave you to it. Pass on my condolences to the bride.â Continuing in his attempt to lighten my mood, he pushed off the doorjamb as if underwater and lurched down the hall affecting the walk heâd developed for his Caliban in the Law Societyâs last Tempest .
Three
I went out. I set off across Queen Square in the direction of the Alexandersâ great house, but found myself dawdling, and ultimately doglegged right towards the docks. I would be seeing Lilly soon enough. Now wasnât the moment to go visiting. Instead I allowed the thought of the down on the back of her neck, visible in strong sunlight when she wears her hair piled on top of her head, to buoy me on to the waterfront, where the sun was indeed out, and swarming in the harbour with a violence that made molten gold of the waterâs surface.
Before my eyes had adjusted to the brightness a cart was upon me â my fault, I had walked into its path â and the horse drawing it, unable to sidestep or stop, had shouldered me into a stall selling fruit, vegetables, and trinkets made from animal parts. This produce was now rolling with me on the filthy cobbles.
âOut of the fucking way!â called the driver, after the event.
I could not recall the last time Iâd had the breath knocked from my lungs, but the feeling (and taste, of gunpowder and rust) was instantly familiar, and sickening. I gathered myself on to all fours. The stallholder,
Caroline Dries, Steve Dries
Minx Hardbringer, Natasha Tanner