back of the crowd. What was he doing there?
Squinting, I tried to make out if he was talking to someone. No, that wasnât it.
Henley was easy to spot, as he was still wearing his Tudor-era nightshirt, as Richard had been on his deathbed only a moment ago. I shook my head at how confusing that sounded. But oddly, no one seemed to pay Henley any heed, as he stood just a few steps behind everyone.
As the crowd looked forward toward me and their guide, I craned my neck to see what Henley was up to. I knew there hadto be a reason he was there. Maybe he was scoping out the exit?
As I stood on my toes, I saw Henley move close to a man standing at the edge of the crowd. The man didnât look particularly different or important in any way; he just had a backpack slung over one of his shoulders. I didnât know what Henley was doing until I saw his hand flash forward.
I yelped, and everyone, including the man who stood right in front of Henley, looked up at me. I must have looked a sight still in my Tudor gown, complete with a French hood headpiece.
The woman shushed me. âMy God. Attention-seeking actors . . . The company should have warned me about their new promotions.â The woman in the red scarf mumbled, but she soon continued her lecture.
Henley had taken something from the manâs backpack. Whatever it was, it was small, and I saw him hide it in his shirt. My shriek had distracted everyoneâincluding Henleyâs targetâand actually helped him pickpocket the man.
I watched as Henley moved toward the other side of the room. I couldnât say anything with so many people around. Luckily, the group started toward the exit, and the woman with the red scarf ushered everyone out.
I felt a tugging at my skirt. I looked down to see the little girl with the oversized pink fleece coat. She wordlessly thrust something at me.
Confused, I took it, and before I could see what it was she ran off to join the group. It felt small and cold in my hand.
âPlease remember thereâs a step here!â the tour guide barked over her shoulder.
I looked down to see what the girl had given me. It was acoin. I wondered if her mother had told her to give it to the nice actor in Tudor dress standing mutely in the corner of the room.
I turned the coin over in my hand. âOne pound,â it said. Right, we were still in the UK. Just more in the future.
I waited for the last of the tour group to trickle out of the room and round the corner before I carefully stepped around the clock I was hiding and walked up to Henley.
âWhat the hell was that?â I said through gritted teeth.
âThe little girl was just tipping you for your wonderful performance,â he said.
âYou know thatâs not what Iâm talking about.â
Henley dug into his shirt and withdrew a leather wallet. He tossed it to me, and I barely caught it.
âMoney,â he said.
âMoney thatâs not ours.â
âIâm quite aware of that,â Henley said. âBut that doesnât change the fact that we need some money to get out of here.â
I didnât want to admit it, but he was right. If there was one thing I learned from living in New York, it was that you needed money to survive. New York was expensive, and I guessed that London was, too. You need money to buy food, find a place to stay, and to even get around. Money was tied to everything really. So I opened the wallet.
âReed Lory Glazen,â I read from the driverâs license. âNew Jersey driverâs license, so heâs American.â
I pulled out his credit card and all the cash he carried in his wallet. A Visa, 238 British pounds, and 10 American dollars.
Henley held out his hand. I didnât know if he had pockets, but I handed him the credit card and the cash.
I looked closely at the driverâs license. The photo looked like it was a mug shot. There was a date of issue and an expiration date. I