lot since then.”
“Florence?” I said to myself. “Florence?”
That was evidently where I’d known her. She was a woman of about fifty with grey hair simply done and marcelled without exaggeration. She was a trifle too stout and she was dressed neatly enough, but without distinction, in a dress that I guessed had been bought ready-made at the local branch of a big store. She had rather large eyes of a pale blue and a poor complexion; she wore no rouge and had used a lipstick but sparingly. She seemed a nice creature. There was something maternal in her demeanour, something placid and fulfilled, which I found appealing. I supposed that I had run across her on one of my frequent visits to Florence and because it was perhaps the only time she had been there our meeting made more of an impression on her than on me. I must confess that my acquaintance with the wives of members of a faculty is very limited, but she was just the sort of person I should have expected the wife of a professor to be, and picturing her life, useful but uneventful, on scanty means, with its little social gatherings, its bickerings, its gossip, its busy dullness, I could easily imagine that her trip to Florence must linger with her as a thrilling and unforgettable experience.
On the way back to his house Wyman said to me:
“You’ll like Jasper Greene. He’s clever.”
“What’s he a professor of?”
“He’s not a professor; he’s an instructor. A fine scholar. He’s her second husband. She was married to an Italian before.”
“Oh?” That didn’t chime in with my ideas at all. “What was her name?”
“I haven’t a notion. I don’t believe it was a great success.” Wyman chuckled. “That’s only a deduction I draw from the fact that she hasn’t a single thing in the house to suggest that she ever spent any time in Italy. I should have expected her to have at least a refectory table, an old chest or two, and an embroidered cope hanging on the wall.”
I laughed. I knew those rather dreary pieces that people buy when they’re in Italy, the gilt wooden candlesticks, the Venetian glass mirrors, and the high-backed, comfortless chairs. They look well enough when you see them in the crowded shops of the dealers in antiques, but when you bring them to another country they’re too often a sad disappointment. Even if they’re genuine, which they seldom are, they look ill-at-ease and out of place.
“Laura has money,” Wyman went on. “When they married she furnished the house from cellar to attic in Chicago. It’s quite a show place; it’s a little masterpiece of hideousness and vulgarity. I never go into the living-room without marvelling at the unerring taste with which she picked out exactly what you’d expect to find in the bridal suite of a second-class hotel in Atlantic City.”
To explain this irony I should state that Wyman’s living-room was all chromium and glass, rough modern fabrics, with a boldly Cubist rug on the floor, and on the walls Picasso prints and drawings by Tchelicheff. However, he gave me a very good dinner. We spent the evening chatting pleasantly about things that mutually interested us and finished it with a couple of bottles of beer. I went to bed in a room of somewhat aggressive modernity. I read for a while and then putting out the light composed myself to sleep.
“Laura?” I said to myself. “Laura what?”
I tried to think back. I thought of all the people I knew in Florence, hoping that by association I might recall when and where I had come in contact with Mrs Greene. Since I was going to dine with her I wanted to recall something that would prove that I had not forgotten her. People look upon it as a slight if you don’t remember them. I suppose we all attach a sort of importance to ourselves, and it is humiliating to realize that we have left no impression at all upon the persons we have associated with. I dozed off, but before I fell into the blessedness of deep sleep, my
Christopher Knight, Alan Butler