were composed.
With the clarity of architects
he would write of the row of blue flowers
his new wife had planted,
the plans for electricity in the house,
how my half-sister fell near a snake
and it had awakened and not touched her.
Letters in a clear hand of the most complete empathy
his heart widening and widening and widening
to all manner of change in his children and friends
while he himself edged
into the terrible acute hatred
of his own privacy
till he balanced and fell
the length of his body
the blood entering
the empty reservoir of bones
the blood searching in his head without metaphor.
GRIFFIN OF THE NIGHT
I’m holding my son in my arms
sweating after nightmares
small me
fingers in his mouth
his other fist clenched in my hair
small me
sweating after nightmares.
BIRTH OF SOUND
At night the most private of a dog’s long body groan.
It comes with his last stretch
in the dark corridor outside our room.
The children turn.
A window tries to split with cold
the other dog hoofing the carpet for lice.
We’re all alone.
WE’RE AT THE GRAVEYARD
Stuart Sally Kim and I
watching still stars
or now and then sliding stars
like hawk spit to the trees.
Up there the clear charts,
the systems’ intricate branches
which change with hours and solstices,
the bone geometry of moving from there, to there.
And down here – friends
whose minds and bodies
shift like acrobats to each other.
When we leave, they move
to an altitude of silence.
So our minds shape
and lock the transient,
parallel these bats
who organize the air
with thick blinks of travel.
Sally is like grey snow in the grass.
Sally of the beautiful bones
pregnant below stars.
NEAR ELGINBURG
3 a.m. on the floor mattress.
In my pyjamas a moth beats frantic
my heart is breaking loose.
I have been dreaming of a man
who places honey on his forehead before sleep
so insects come tempted by liquid
to sip past it into the brain.
In the morning his head contains wings
and the soft skeletons of wasp.
Our suicide into nature.
That man’s seduction
so he can beat the itch
against the floor and give in
move among the sad remnants
of those we have destroyed,
the torn code these animals ride to death on.
Grey fly on windowsill
white fish by the dock
heaved like a slimy bottle into the deep,
to end up as snake
heckled by children and cameras
as he crosses lawns of civilization.
We lie on the floor mattress
lost moths walk on us
waterhole of flesh, want
this humiliation under the moon.
Till in the morning we are surrounded
by dark virtuous ships
sent by the kingdom of the loon.
LOOP
My last dog poem.
I leave behind all social animals
including my dog who takes
30 seconds dismounting from a chair.
Turn to the one
who appears again on roads
one eye torn out and chasing.
He is only a space filled
and blurred with passing,
transient as shit – will fade
to reappear somewhere else.
He survives the porcupine, cars, poison,
fences with their spasms of electricity.
Vomits up bones, bathes at night
in Holiday Inn swimming pools.
And magic in his act of loss.
The missing eye travels up
in a bird’s mouth, and into the sky.
Departing family. It is loss only of flesh
no more than his hot spurt across a tree.
He is the one you see at Drive-Ins
tearing silent into garbage
while societies unfold in his sky.
The bird lopes into the rectangle nest of images
and parts of him move on.
HERON REX
Mad kings
blood lines introverted, strained pure
so the brain runs in the wrong direction
they are proud of their heritage of suicides
– not just the ones who went mad
balancing on that goddamn leg, but those
whose eyes turned off
the sun and imagined it
those who looked north, those who
forced their feathers to grow in
those who couldn’t find the muscles in their arms
who drilled their beaks into the skin
those who could speak
and lost themselves in the foul connections
who crashed against black