behind him.
As he moved towards her, Polly turned and came
towards him, her teeth tightly pressed into her lower
lip and her eyes full of tears. When they came
abreast neither of them spoke, nor did they move from
behind the hedge until the sound of MacFelPs
voice reached them from the yard; then going quickly on to the path, they bent one on each side of Ginger and
pulled him upwards.
"Don't cry, Ginger. Don't cry."
Ginger's head was deep on his chest and his body was
trembling, but once on his feet he tugged his arm
away from Charlie's and turned fully towards
Polly, and she, putting her arms around him,
murmured, "Come on down to the burn, the water'11
cool you."
Her arm still about him, she led him along the cinder
path down the slope, past the cottage that
MacFell had had renovated and furnished,
supposedly to let to the people who tramped the hills in the summer, and to the bank of the burn.
"Take your knickerbockers off."
"No, no!" The boy now grabbed at the top of
his short trousers.
"Go on, don't be silly. There's three of them
back home, I'm used to bare backsides."
When the boy still kept tight hold of his trousers,
she said, "All right I'll go but Charlie'll stay
with you, won't you, Charlie?"
It pointed to a strange relationship that the daughter
of the one time cowman could address the master's son in a way other than as young Master MacFell or
Mister Charlie, and that she was the only one connected with the farm, besides his parents and sister, who did
address him so.
"Yes, yes, Polly."
"I... I don't want to take "em off."
Ginger sniffed, then wiped his wet face with the back of his hand. "I'll . . . I'll just put me legs
in."
"All right, have it your own way. But wait a
tick till I take me boots off an" I'll
give you a hand down the bank."
With a speed that characterized all her movements,
Polly dropped on to the grass and rapidly
unlaced her boots, stood up again, shortened her
skirt by turning in the waistband several times, then,
her arm around Ginger once more, she helped him down the bank; and when their feet touched the ice-cold water
the contact forced her into momentary laughter.
Glancing up the bank at Charlie, she cried,
"It would freeze mutton," and almost in the same breath she went on, "come on, a bit further,
Ginger, get it over your knees. And here, let me
get the grit off your hands."
As if she were attending to a child, and not to a boy almost two years her senior, she gently flapped the
water over his grit-studded palms, saying as she
did so, "They're not bleedin' much, it's your knees that are the worse. . . . There, is that better? It
gets warm after you've been in a minute. Feel
better, eh?" She lowered her head and, turning it
to the side, looked into his face, and he nodded at
her and said, "Aye, Polly."
A few minutes later she helped him up the
bank, although he now seemed able to walk unaided, and
when he sat down on the grass she sat close beside
him; then, her round, plump face straight, her
wide full lips pressed tight, she stared
up at Charlie for a moment before saying, "You know what I'd like to do? I'd like to take your da and kick him
from here to hell along a road all made of
cinders."
Looking down into the angry green eyes, Charlie
was prompted to say, "And I'd like to help you do it,"
but all he did was to turn his gaze away towards the
burn, until she
TCP 3
said, "I don't blame you; you know I don't,
Charlie ... Sit down, man."
As if he, too, were obeying the order from an
older person, Charlie, like Ginger, did as she
bade him and sat down, and as he watched her dabbing
at Ginger's knees with the inside of her print skirt
he wished, and in all sincerity, it had been he himself who had suffered the cinder path this morning, just so he could be the recipient of her attentions.
He couldn't remember a time when he hadn't
loved Polly Benton. He was three years old
when big Polly first brought her into
Richard Blackaby, Tom Blackaby
Michael Williams, Richard A. Knaak, Margaret Weis, Tracy Hickman