kidnappers and his wife and a million dollars to boot.â
âWell, he wonât. Heâs going to do it his way.â
âIs the money here?â
âInside. McCarthy got here a few minutes ago.â
âIn what form? What kind of bills?â
âFifties and hundreds. We have the numbers, but hell, thereâs no problem with laundering it. Billions of petrodollars floating around the world, so I guess we can kiss it good-bye.â
âPossibly. I think now Iâd like to talk to Barton. By the way, how many servants are in the house?â
âHe keeps three in help, Joe Kelly chauffeurs and doubles as a butler when he has to, Freda Holtzâsheâs the cookâand Lena Jones, the maid.â
âDoes Kelly do the gardening?â
âNo, Mexican gardener comes in twice a week, not today. Now look, hereâs the scenario we worked out. I tell Mike youâre here. He yells and puts up a fuss. I calm him and tell him he might as well talk to you. Thatâs for any big ears. I tell him it will help to pass the time and ease the waiting. Then he comes outside and walks with you through the plantings. Heâs got a small greenhouse at the other end of the property, so you can go in there and talk. It should make some sense to anyone who might be listening.â
âYou only mentioned the three in help. Are there any others?â
âJust his secretary, Elaine Newman.â
âIs she here today?â
âNot yet. She comes in around ten, but she could be early or late. Mike doesnât hold her to strict hours.â
âDoes she know about the kidnapping?â
âNo, and we decided not to tell her. When she comes in, Iâll send her over to my office to get some papers and my secretary will keep her waiting there and then she has to pick up a manuscript for Mike. That will keep her out of it until noon. This is still off the record, and according to the kidnapper, we have to keep it that way.â
âAll right.â Masuto nodded. âIâll wait right here for Barton.â
Mike Barton
Masuto had occasionally speculated on what makes a âbankableâ star, a term very expressive in Hollywood if nowhere else in America. Certainly it was not theatrical talent, not appearanceâthough appearance was importantânot beauty, not brains, but rather an indefinable thing which some called charisma for want of a better name. It was not connected with the way an actor lived his life, treated the other sex, was or was not a doper, a drunk, a liar, or a thief. It was something that cut through all that, recognizable yet undefinableâand whatever it was, Mike Barton possessed it. He was onstage as he stepped out of his house, and he strode over to Masuto with a kind of assurance reserved for his narrow clan, yet lacking, Masuto felt, any of that tired inelasticity that comes from fear and sorrow. He was a star, but not a very good actor.
He shook hands and said, âLetâs walk, Sergeant. My house has big ears.â
âWhose ears?â
âDamned if I know.â
âKidnapping for ransom is planned. Itâs not decided on the spur of the moment. Someone must have known that your wife would spend the night at the beach house.â
âWho? I didnât know it myself. Angel didnât know. We decided that she should show up at the party because Nettyâs a dear old friend. I had a splitting headache and I felt too rotten to trek over to Malibu. I told Angel that if the party was a drag, she should cut out of there at ten oâclock or so, but if she was having fun and decided to stay on, she shouldnât try to drive back here. Hell, thatâs what the beach house is for.â
âBut the people at the party would know that she planned to stay overnight.â
âSome of them, maybe. I suppose Netty would know. Where the hell is all this leading, Sergeant?â
âThe woman who