as if they had moved away and were standing across a room or perhaps in the next one. Nothing then for another ten minutes. I looked at the clock and soon I heard footsteps again.
Willis came in alone. Now he looked more annoyed than before. I watch people in situations like that, I am a veritable hub of nerve-endings, I notice changes, and what I knew at the moment was that some kind of change had occurred, no matter how small. A change in the face of an unchangeable man is something you notice. I tried to make it easy on him: I sat at the front of the desk and said, âJust been looking at your pictures,â and Willis only nodded. He didnât seem to be focusing well; he was trembling mad. Then, almost thirty seconds later, his eyes did focus on the wall and he said, âSo what do they tell you?â I thought there was a clue in that: He was trying a little too hard to find out if I could see my own hand in front of my face. So I looked again and suddenly I saw what I had missed the first time around. Then I had been looking too intently at the action in the winnerâs circle itself: now I saw a dozen flecks of white behind it as I quickly skimmed the whole gallery. In April 1963 a woman had stood in front of the lower grandstand behind the winnerâs circle. Her face was clear in that first long-ago shot; I could see that she was decked out in a white dress with a carnation on her lapel. I glanced at the next picture and there she was again, same white dress, fresh carnation, and she stood in the same place behind the circle. Whatever had just happened on that spring day in 1963, she liked it. I didnât point this out immediately. I said, âThey tell me youâve been with Geiger a long time,â and I glanced at the other pictures. The woman was always in the same place behind the action, in that gap between Willis and the horse. For more than ten years, with some notable gaps, she had been there when Geiger had won a race.
âWhoâs the woman?â I said.
âMr. Geigerâs wife.â
âWas there a reason why she never came down in the winnerâs circle?â
âIâm sure there was. There must have been.â
âAm I supposed to guess that as well?â
âGo ahead. I wonât be able to tell you if youâre right; I never discussed things like that with either of them. But give it a shot if you want to.â
âWell, letâs see. She was shy. She was humble. She was eccentric or quiet or just superstitious.â
âInteresting choice of guesses.â
âWhich would you pick?â
I didnât think heâd answer that. But after a moment he said, âMaybe all of them.â
âInteresting answer.â
âShe was an interesting lady.â
âI take it from the past tense that Mrs. Geiger is no longer with us.â
âShe died in 1975. She was just forty years old.â
âWas this an unexpected illness?â
âYou sound suspicious.â
âI was a cop for years. Homicide cops are always suspicious when people die.â
âIt was quite unexpected. She had severe allergies.â
âAnd thatâs what killed her?â
He nodded. âMr. Geiger was devastated. They were very close.â
âDid he stop racing after that?â
âNot right away. But he didnât put up any pictures after she died.â
âHe didnât need to. What heâs got fills up the wall nicely.â
âThere are many more in the file. Mr. Geiger won a lot of races. But this represents the best of themâ¦the best of her. It covers the whole brief time they were together.â
I didnât know whether to find this touching or morbid. She had been dead about twenty years and he seemed to be saying that Geiger had never stopped mourning. I left some open pages in my notebook, where Mrs. Geiger had died, and creased the corners.
âThere were some gaps in the