He stopped halfway across the bridge. The water below looked cold and black, slowing in sections as it succumbed to the temperature. Behind us six lanes of cars skidded back and forth across the wet grit of the road, the sound like the shredding of wind.
"Have you heard from your mother?" He stood upright before the railing, his head strangely small above the puffy down jacket I had lent him.
"Every now and then."
He lapsed into formal Vietnamese: "How is the mother of Nam ?"
"She is good," I said – too loudly – trying to make myself heard over the groans and clanks of a passing truck.
He was nodding. Behind him, the east bank of the river glowed wanly in the afternoon light. "Come on," I said. We crossed the bridge and walked to a nearby Dairy Queen. When I came out, two coffees in my hands, my father had gone down to the river's edge. Next to him, a bundled-up, bearded figure stooped over a burning gasoline drum. Never had I seen anything like it in Iowa City .
"This is my son," my father said, once I had scrambled down the wet bank. "The writer." I glanced quickly at him but his face gave nothing away. He lifted a hot paper cup out of my hand.
"Would you like some coffee?"
"Thank you, no." The man stood still, watching his knotted hands, palms glowing orange above the rim of the drum. His voice was soft, his clothes heavy with his life. I smelled animals in him, and fuel, and rain.
"I read his story," my father went on in his lilting English, "about Vietnamese boat people." He gazed at the man, straight into his blank, rheumy eyes, then said, as though delivering a punch line, " We are Vietnamese boat people."
We stood there for a long time, the three of us, watching the flames. When I lifted my eyes it was dark.
"Do you have any money on you?" my father asked me in Vietnamese.
"Welcome to America ," the man said through his beard. He didn't look up as I closed his fist around the damp bills.
***
MY FATHER WAS DRAWN TO WEAKNESS, even as he tolerated none in me. He was a soldier, he said once, as if that explained everything. With me, he was all proverbs and regulations. No personal phone calls. No female friends. No extracurricular reading. When I was in primary school, he made me draw up a daily ten-hour study timetable for the summer holidays, and punished me when I deviated from it. He knew how to cane me twenty times and leave only one black-red welt, like a brand mark across my buttocks. Afterward, as he rubbed Tiger Balm on the wound, I would cry in anger at myself for crying. Once, when my mother let slip that durian fruit made me vomit, he forced me to eat it in front of guests. Doi an muoi cung ngon . Hunger finds no fault with food. I learned to hate him with a straight face.
When I was fourteen, I discovered that he had been involved in a massacre. Later, I would come across photos and transcripts and books; but that night, at a family friend's party in suburban Melbourne , it was just another story in a circle of drunken men. They sat cross-legged on newspapers around a large blue tarpaulin, getting smashed on cheap beer. It was that time of night when things started to break up against other things. Red faces, raised voices, spilled drinks. We arrived late and the men shuffled around, making room for my father.
"Thanh! Fuck your mother! What took you so long – scared, no? Sit down, sit down – "
"Give him five bottles." The speaker swung around ferociously. "We're letting you off easy, everyone here's had eight, nine already."
For the first time, my father let me stay. I sat on the perimeter of the circle, watching in fascination. A thicket of Vietnamese voices, cursing, toasting, braying about their children, making fun of one man who kept stuttering, "It has the power of f-f-five hundred horses!" Through it all my father laughed good-naturedly, his face so red with drink he looked sunburned. Bowl and chopsticks in his hands, he appeared somewhat childish squashed between two men