The Blind Watchmaker Read Free Page B

appearances to the contrary, the only watchmaker in nature is the blind forces of physics, albeit deployed in a very special way. A true watchmaker has foresight: he designs his cogs and springs, and plans their interconnections, with a future purpose in his mind’s eye. Natural selection, the blind, unconscious, automatic process which Darwin discovered, and which we now know is the explanation for the existence and apparently purposeful form of all life, has no purpose in mind. It has no mind and no mind’s eye. It does not plan for the future. It has no vision, no foresight, no sight at all. If it can be said to play the role of watchmaker in .nature, it is the blind watchmaker. I shall explain all this, and much else besides. But one thing I shall not do is belittle the wonder of the living ‘watches’ that so inspired Paley. On the contrary, I shall try to illustrate my feeling that here Paley could have gone even further. When it comes to feeling awe over living ‘watches’ I yield to nobody. I feel more in common with the Reverend William Paley than I do with the distinguished modern philosopher, a well-known atheist, with whom I once discussed the matter at dinner. I said that I could not imagine being an atheist at any time before 1859, when Darwin’s Origin of Species was published. ‘What about Hume?’, replied the philosopher. ‘How did Hume explain the organized complexity of the living world?’, I asked. ‘He didn’t’, said the philosopher. ‘Why does it need any special explanation?’
    Paley knew that it needed a special explanation; Darwin knew it, and I suspect that in his heart of hearts my philosopher companion knew it too. In any case it will be my business to show it here. As for David Hume himself, it is sometimes said that that great Scottish philosopher disposed of the Argument from Design d century before Darwin. But what Hume did was criticize the logic of using apparent design in nature as positive evidence for the existence of a God. He did not offer any alternative explanation for apparent design, but left the question open. An atheist before Darwin could have said, following Hume: ‘I have no explanation for complex biological design. All I know is that Cod isn’t a good explanation, so we must wait and hope that somebody comes up with a better one.’ I can’t help feeling that such a position, though logically sound, would have left one feeling pretty unsatisfied, and that although atheism might have been logically tenable before Darwin, Darwin made it possible to be an intellectually fulfilled atheist. I like to think that Hume would agree, but some of his writings suggest that he underestimated the complexity and beauty of biological design. The boy naturalist Charles Darwin could have shown him a thing or two about that, but Hume had been dead 40 years when Darwin enrolled in Hume’s university of Edinburgh.
    I have talked glibly of complexity, and of apparent design, as though it were obvious what these words mean. In a sense it is obvious - most people have an intuitive idea of what complexity means. But these notions, complexity and design, are so pivotal to this book that I must try to capture a little more precisely, in words, our feeling that there is something special about complex, and apparently designed things.
    So, what is a complex thing? How should we recognize it? In what sense is it true to say that a watch or an airliner or an earwig or a person is complex, but the moon is simple? The first point that might occur to us, as a necessary attribute of a complex thing, is that it has a heterogeneous structure. A pink milk pudding or blancmange is simple in the sense that, if we slice it in two, the two portions will have the same internal constitution: a blancmange is homogeneous. A car is heterogeneous: unlike a blancmange, almost any portion of the car is different from other portions. Two times half a car does not make a car. This will often amount to saying