first heard about it as a child. Almost everybody throughout history, up to the second half of the nineteenth century, has firmly believed in the opposite - the Conscious Designer theory. Many people still do, perhaps because the true, Darwinian explanation of our own existence is still, remarkably, not a routine part of the curriculum of a general education. It is certainly very widely misunderstood.
The watchmaker of my title is borrowed from a famous treatise by the eighteenth-century theologian William Paley. His Natural Theology - or Evidences of the Existence and Attributes of the Deity Collected from the Appearances of Nature , published in 1802, is the best-known exposition of the ‘Argument from Design’, always the most influential of the arguments for the existence of a God. It is a book that I greatly admire, for in his own time its author succeeded in doing what I am struggling to do now. He had a point to make, he passionately believed in it, and he spared no effort to ram it home clearly. He had a proper reverence for the complexity of the living world, and he saw that it demands a very special kind of explanation. The only thing he got wrong - admittedly quite a big thing! - was the explanation itself. He gave the traditional religious answer to the riddle, but he articulated it more clearly and convincingly than anybody had before. The true explanation is utterly different, and it had to wait for one of the most revolutionary thinkers of all time, Charles Darwin.
Paley begins Natural Theology with a famous passage:
In crossing a heath, suppose I pitched my foot against a stone, and were asked how the stone came to be there; I might possibly answer, that, for anything I knew to the contrary, it had lain there for ever: nor would it perhaps be very easy to show the absurdity of this answer. But suppose I had found a watch upon the ground, and it should be inquired how the watch happened to be in that place; I should hardly think of the answer which I had before given, that for anything 1 knew, the watch might have always been there.
Paley here appreciates the difference between natural physical objects like stones, and designed and manufactured objects like watches. He goes on to expound the precision with which the cogs and spring’s of a watch are fashioned, and the intricacy with which they are put together. If we found an object such as a watch upon a heath, even if we didn’t know how it had come into existence, its own precision and intricacy of design would force us to conclude
that the watch must have had a maker: that there must have existed, at some time, and at some place or other, an artificer or artificers, who formed it for the purpose which we find it actually to answer, who comprehended its construction, and designed its use.
Nobody could reasonably dissent from this conclusion, Paley insists, yet that is just what the atheist, in effect, does when he contemplates the works of nature, for:
every indication of contrivance, every manifestation of design, which existed in the watch, exists in the works of nature; with the difference, on the side of nature, of being greater or more, and that in a degree which exceeds all computation.
Paley drives his point home with beautiful and reverent descriptions of the dissected machinery of life, beginning with the human eye, a favourite example which Darwin was later to use and which will reappear throughout this book. Paley compares the eye with a designed instrument such as a telescope, and concludes that ‘there is precisely the same proof that the eye was made for vision, as there is that the telescope was made for assisting it’. The eye must have had a designer, just as the telescope had.
Paley’s argument is made with passionate sincerity and is informed by the best biological scholarship of his day, but it is wrong, gloriously and utterly wrong. The analogy between telescope and eye, between watch and living organism, is false. All
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