under the hood of a speeding car. The initial blast quieted to a low murmur. Outside, drips from the old machine were forming a small pond that had begun to creep under the back door.
âStupid thing,â his father muttered, sneering at the air conditioner. âI wish one of us was a mechanical wizard and could fix that damn contraption.â He puffed up his cheeks, exhaled noisily. âReally, though . . .â he said, looking directly at his son, then pausing. âItâs more than the accident, you know. Your mother and Ian have never been close. Theyâve had a lot of issues over the years. Long before you were born. The accident just tipped the scales.â
Ben straightened a little in his chair. None of that mattered to him. âI think I want to go to Oregon,â he told his father.
âI can see that.â
âWill you help me? With Mom?â
Benâs fatherâs eyes flashed and he moved his head. Almost a nod.
Why did he want to go so badly? He had never wanted it before. But he hadnât even finished reading the letter when that started to change. Things kept changing all day long. He looked at his hand differently. Was it ugly? He looked at his mother differently. Rarely did he think of her as someoneâs sister.
He tried to remember anything connected to the accident, but came up with little.
âDonât worry, Mama. Itâll grow back.â He knew those words, but he must have been told them as part of the story of the accident.
He remembered wanting to be a cartoonist after discovering with great joy that a good number of cartoon charactersâMickey Mouse includedâhad only four fingers on each hand. But his character, his own creation, would have nine fingers. Four on one hand, five on the other.
He remembered his parents taking him to a Diego Rivera show at a museum in Chicago. Or was it Milwaukee? In one of the rooms, mural studies were displayed. Pages and pages of charcoal drawings of hands. Solid, broad, perfect hands as big as suitcases. It had made him dizzy.
His thoughts kept returning to his uncle. Who wouldnât want to meet the person responsible? Wasnât it more weird not to think about it?
After all those years, Ben found himself curious. He couldnât ignore the feeling. It was like a tiny ache blooming behind his ears and spreading slowly throughout his head.
Maybe by morning it would be gone. But it wasnât. It layered his dreams and fell heavily across his mind the next day.
Â
3
T HE PAINTING was simple. The picture plane was divided in half. The top half was skyâcreamy yellow, the color of butter. The bottom half was dark green, almost black, interrupted by an oval the same color as the sky: a small pond. Ben had painted a single leafless tree breaking the horizon. The branches were ragged and angular, tapering off into sharp points. Dissatisfied with the tree, Ben instinctively painted over it with dark green, feathering the edges out. It ended up a mound like a large haystack or a tiny hill, backlit, at dusk or dawn, a time of change.
Ben had known it was a success as soon as he had finished, and he was pleased, the way he was pleased after acing a test in math class or sinking nine out of ten free throws in gym.
âItâs gorgeous,â his mother had said, tipping her head and craning her neck to study the brushwork. She smiled.
âItâs one of the nicest paintings Iâve ever seen,â his father had ventured to say. He rested his hands on Benâs shoulders, his chin on Benâs head. âI like the way the shape of the hill echoes the shape of the pond. Youâre good. You are very good.â
Ben had painted Yellow Sky at the kitchen table, last October, for extra credit for art class. His teacher, Ms. Temple, was so impressed by it, she entered it in a competition. Ben won first prize for the city, then the region, and finally for the entire state. In