publicâs favorite. But Mazie got tired of people always talking about Mazieâs maze. Her real name was Mary Elise, you know, but everyone called her Mazie,â she said. âHoyt had it designed as a gift to her. Actually, I think the water garden might have been Mazieâs favorite. Itâs so remote most people donât even know about it. Like the pagoda. Wynderly is a very large place, you know. Acres and acres.â
I was about to make some joking comment that âlargeâ was an understatement.
âIâd advise you not to try to wander off by yourself, though,â Michelle said, her voice flat. âYouâll need to stick with me. If thereâs anything you want, or need to see, youâll have to ask me.â
With Michelle in the lead, I had dutifully followedâbeneath arched doorways, in and out of wings, down long dreary passageways, around massive bookcases, through the rooms of Wynderly, each one seemingly larger and grander than the one before. Her unnecessary aggrandizing of the house andits contents was beginning to grate on my nerves. Wynderly spoke for itself. Plus, I was anxious to get down to work.
Still, I tried putting myself in her shoes. With the house closed to visitors, she had to be lonesome. What else had she to do than show me around? Iâm sure she thought I needed the orientation.
On the other hand, knowing that she was a possible suspect in this unexplainable burglary was bound to have her upset. Perhaps this was her way of trying to keep control of the situation.
A few minutes later, just as Michelle was about to show me another room, I finally asked directions to the ladyâs powder room.
Bathroom
just didnât seem the appropriate word in these surroundings.
Michelle was waiting for me. âIsnât it a beautiful room,â she said. âThe faucets are gold-plated, and the mirror came from Indiaâa gift from the maharaja. Those are real rubies and sapphires.â
The opulence of the powder room had taken me aback even more than had the mural and the blackamoors.
Now remember, Sterling, you have to forget that youâre in Mr. Jeffersonâs country, I had told myself. Stop trying to make Wynderly something it isnât. Itâs not Monticello.
I nodded in agreement and smiled. âIt really
is
remarkable.â
âBut youâve seen enough of the house,â she said, turning away from me. âFollow me. Iâll take you to the workroom.â
Chapter 3
Dear Antiques Expert: When I admired a large blue and white plate at an antiques show, the dealer called it an âEnglish Delft charger.â My aunt brought back a vase from Holland that was marked âDelft.â I thought all Delft came from Holland, and what exactly is a âchargerâ?
Delft, also called Delftware, is an earthenware pottery with a tin-glazed exterior. It originated in the 1600s in Holland when Europeans were trying to discover how to make thin porcelain like the Chinese. But because the English also produced a glaze-finished pottery, the distinction is made between Dutch and English Delft. Dutch Delft, however, has always been better known. âChargerâ is the name given to large, shallow plates that we today would call platters. Incidentally, truly old Delft pieces were marked with symbols. Pieces marked with the word âDelftâ are of modern manufacture.
A T LAST I could get to work. I had headed straight to the table where pieces of what had been a seventeenth-century Delft charger were spread out on a card table.
âIf youâre going to look at the things the thieves left behind,youâre going to need these,â Michelle had said, handing me a pair of gauzy white cotton museum gloves.
Though a nice piece, the large plate really didnât call for curatorial gloves, especially not in its present condition. But trying to keep a positive attitude, I told myself Michelleâs offer