Bullen, who they said was one of them. She had escaped across the Thames in a barge, and not a cry had escaped her lips. They had admired her for her courage: Wyatt, Norris, Weston, Henry himself. She would not scream now.
The box of light grew larger as it approached. She had just time to say to it, “I have been God’s faithful and true servant, and my husband, the king’s,” before it was upon her.
“The place where a war starts,” Lambert said to the faces assembled below her in the Hall of Time, “is long before the first missile, or the first bullet, or the first spear.”
She looked down at the faces. It was part of her responsibility as an intern researcher to teach a class of young, some of whom would become historians. The class was always taught in the Hall of Time. The expense was enormous: keeping the hall in stasis for nearly an hour, bringing the students in through the force field, activating all the squares at once. Her lecture would be replayed for them later, when they could pay attention to it. Lambert did not blame them for barely glancing at her now. Why should they? The walls of the circular room, which were only there in a virtual sense, were lined with squares that were not really there at all. The squares showed actual, local-time scenes from wars that had been there, were there now, somewhere, in someone’s reality.
Men died writhing in the mud, arrows through intestines and neck and groin, at Agincourt.
Women lay flung across the bloody bodies of their children at Cawnpore.
In the hot sun the flies crawled thick upon the split faces of the heroes of Marathon.
Figures staggered, their faces burned off, away from Hiroshima.
Breathing bodies, their perfect faces untouched and their brains turned to mush by spekaline, sat in orderly rows under the ripped dome on Io-One.
Only one face turned toward Lambert, jerked as if on a string, a boy with wide violet eyes brimming with anguish. Lambert obligingly started again.
“The place where a war starts is long before the first missile, or the first bullet, or the first spear. There are always many forces causing a war: economic, political, religious, cultural. Nonetheless, it is the great historical discovery of our time that if you trace each of these back— through the records, through the eyewitness accounts, through the entire burden of data only Rahvoli equations can handle—you come to a fulcrum. A single event or act or person. It is like a decision tree with a thousand thousand generations of decisions: Somewhere there was one first yes/no. The place where the war started and where it could have been prevented.
“The great surprise of time rescue work has been how often that place was female.
“Men fought wars, when there were wars. Men controlled the gold and the weapons and the tariffs and sea rights and religions that have caused wars, and the men controlled the bodies of other men who did the actual fighting. But men are men. They acted at the fulcrum of history, but often what tipped their actions one way or another was what they loved. A woman. A child. She became the passive, powerless weight he chose to lift, and the balance tipped. She, not he, is the branching place, where the decision tree splits and the war begins.”
The boy with the violet eyes was still watching her. Lambert stayed silent until he turned to watch the squares—which was the reason he had been brought here. Then she watched him. Anguished, passionate, able to feel what war meant—he might be a good candidate for the time rescue team when his preliminary studies were done. He reminded her a little of Culhane.
Who right now, as project head, was interviewing the new hostage, not lecturing to children.
Lambert stifled her jealousy. It was unworthy. And shortsighted: She remembered what this glimpse of human misery had meant to her three years ago, when she was an historian candidate. She had had nightmares for weeks. She had thought the