Night Town.
The breezes were gentle, but unusually restless and variable tonight, like leprechaun squalls. Beyond the drunken, whitewashed cemetery fence dim in the starlight, they rustled the scraggly trees of Cypress Hollow and made it seem they were stroking their beards of Spanish moss. Joe sensed that the ghosts were just as restless as the breezes, uncertain where and whom to haunt, or whether to take the night off, drifting together in sorrowfully lecherous companionship. While among the trees the red-green vampire lights pulsed faintly and irregularly, like sick fireflies or a plague-stricken space fleet. The feeling of deep misery stuck with Joe and deepened and he was tempted to turn aside and curl up in any convenient tomb or around some half-toppled head board and cheat his Wife and the other two behind him out of a shared doom. He thought: Gonna roll the bones, gonna roll ‘em up and go to sleep. But while he was deciding, he got past the sagged-open gate and the rest of the delirious fence and Shantyville too.
At first Night Town seemed dead as the rest of Ironmine, but then he noticed a faint glow, sick as the vampire lights but more feverish, and with it a jumping music, tiny at first as a jazz for jitterbugging ants. He stepped along the springy sidewalk, wistfully remembering the days when the spring was all in his own legs and he’d bound into a fight like a bobcat or a Martian sand-spider. God, it had been years now since he had fought a real fight, or felt
the power
. Gradually the midget music got raucous as a bunny-hug for grizzly bears and loud as a polka for elephants, while the glow became a riot of gas flares and flambeaux and corpse-blue mercury tubes and jiggling pink neon ones that all jeered at the stars where the spaceships roved. Next thing, he was facing a three-storey false front flaring everywhere like a devil’s elbow, with a pale blue topping of St. Elmo’s fire. There were wide swinging doors in the center of it, spilling light above and below. Above the doorway, golden calcium light scrawled over and over again, with wild curlicues and flourishes, “The Boneyard,” while a fiendish red kept printing out, “Gambling.”
So the new place they’d all been talking about for so long had opened at last! For the first time that night, Joe Slattermill felt a stirring of real life in him and the faintest caress of excitement.
Gonna roll the bones, he thought.
He dusted off his blue-green work clothes with big, careless swipes and slapped his pockets to hear the clank. Then he threw back his shoulders and grinned his lips sneeringly and pushed through the swinging doors as if giving a foe the straight-armed heel of his palm.
Inside, The Boneyard seemed to cover the area of a township and the bar looked as long as the railroad tracks. Round pools of light on the green poker tables alternated with hourglass shapes of exciting gloom, through which drink girls and change-girls moved like white-legged witches. By the jazz-stand in the distance, belly dancers made
their
white hourglass shapes. The gamblers were thick and hunched down as mushrooms, all bald from agonizing over the fall of a card or a die or the dive of an ivory ball, while the Scarlet Women were like fields of poinsettia.
The calls of the croupiers and the slaps of dealt cards were as softly yet fatefully staccato as the rustle and beat of the jazz drums. Every tight-locked atom of the place was controlledly jumping. Even the dust motes jiggled tensely in the cones of light.
Joe’s excitement climbed and he felt sift through him, like a breeze that heralds a gale, the faintest breath of a confidence which he knew could become a tornado. All thoughts of his House and Wife and Mother dropped out of his mind, while Mr. Guts remained only as a crazy young torn walking stiff-legged around the rim of his consciousness. Joe’s own leg muscles twitched in sympathy and he felt them grow supplely strong.
He coolly and