The Bat Tattoo Read Free Page A

time to catch a man whose obsession was the history of dentures. ‘Amazing,’ said Debbie Thrower, flashing her own original dentition as he showed her a pair of Chinese choppers exquisitely carved in ivory. That reminded me that I had an appointment coming up in a fortnight with Mr Sharif for two implants in my lower jaw, so I switched off the denture man and went down to the kitchen to sort through my treasures.
    ‘Yes!’ I said, as my own space settled cosily around me. I took off my boots, got a started bottle of New Zealand Sauvignon blanc out of the fridge and poured myself a glass. ‘There!’ I said. ‘That’s better, isn’t it? At least if he gets my bat tattooed on his arm I need never know about it.’
    I took the minaudière out of its case and set it on the table. Lot 24, it had been:
    An Art Deco minaudière, of hinged cylindrical form, the exterior with black enamel and marcasite decoration, the interior with compact, mirror and
aide-mémoire
, and with inscription ‘BUDAPEST 1934’, with cord suspension, and tassel concealing a lipstick, in a fitted case.
    Inside the case BARUCH, BUDAPEST was printed on the velvet in gold capitals. How had it arrived in London? Could it have belonged to a Jewish woman who left Hungarysome time after 1934? Was she tall and elegant? Short and stout? Was her husband in business? This wasn’t something a poor woman would have carried, she’d have had to have the clothes to go with it. Where were her frocks now? For that matter, where was she? I took the minaudière in my hands and closed my eyes as I’d seen clairvoyants do in films. It felt like another time, another life, but nothing came to me.
    Nonetheless, I am in my small way a medium — I traffic in ghosts and the possessions, as often as not, of the dead. Almost all of the things I buy and sell were once in someone else’s hands: necklaces from long-gone bosoms, rings from fingers long since departed in one way or another. And the punters, untroubled by ghosts, haggle. If I say, ‘Fifteen pounds,’ they look shrewd and say, ‘Ten?’ So I let it go for twelve; it cost me five.
    Why had that man looked so failed? He wasn’t memorable in any way except that.
    Have you known anyone else with that look, Mrs Varley?
Objection!
Objection overruled. Witness will answer the question.
Well, yes, come to think of it, I have.
Would you name that person, please.
Giles Varley.
Any relation?
My husband. Late husband.
Thank you. Nothing further
.
    Giles had blue eyes, a face you could trust, a winning smile, and he worked hard. Bank managers pressed loans upon him and extended his overdrafts as he moved from one failure to another. I did my best to be a supportive wife; I proppedhim up as well as I could but it was like trying to build a tower out of wet dishcloths, and if I hadn’t been stalling out regularly we’d have gone hungry. In all his ventures he had the necessary capital and skills and knowledge; he had everything except the knack of succeeding. He failed in antique clocks; he failed in stripped pine; he failed in picture-framing; he failed in loft-extensions but when he went into doll’s houses he was quite successful until he found a way out with a bottle of sleeping tablets and half a bottle of Scotch. He left me with a house, a scattering of unpaid bills, and the conviction that if I’d tried harder he might have been a big man in doll’s houses. Giles was a lovely man, really, but if there was one thing I learned from our nine years together it was that you can’t turn a failer into a succeeder and you might as well not bother trying.
    I felt doubly bereft when Giles was gone — propping him up had propped me up as well. Some weeks after his death I was in the V & A browsing in Chinese ceramics when I happened on my bat. ‘Off my own bat, that’s how I’ll have to do it now,’ I said to myself, and that’s how I’ve done it ever since, with the tattoo to help me. Being alone is a lonely