large sheet of paper, on which the perfect scarlet nails of the other hand were lightly drumming. It was not a happy drumming.
I realised that the piece of paper she was so obviously hacked off about was a proof copy of the next day’s feature page. A feature on childcare, one I’d written. My heart sank even further. Happy Monday.
‘Do you realise,’ she said, shooting me one of her fierce looks, ‘how incredibly young and silly this makes you sound? It’s written as though everybody in the world has a responsibility to look after children with the sole exception of their bloody parents.’
‘But I was just quoting from the reports and the government spokesman …’
‘Yes, I know you were,’ she sighed. ‘I just wonder about your generation sometimes. You must have had it easier than any other in the history of the world, and it’s still not enough, you’re still asking for more.’
I just stood there, waiting, longing to get to the Ibupro-fen in my desk drawer.
‘OK, I’ve marked up some ideas. Get that done. And then there’s something else I want you to have a go at.’
Just what, I found out at the morning conference.
The News Editor, Picture Editor, Chief Photographer, and others all crowded into the Vixen’s office, with mugs of coffee and piles of notes balanced on their knees. Will was there too, not looking quite as polished as usual. I don’t know if he was trying to catch my eye. I didn’t give him the chance. I just kept staring at the photos of all the old editors on the wall above him. George Henfield, fat and bald, Richard Henfield with his pipe.
We’d whizzed through the plans for the following day’s paper and much of the week’s ideas, but the Vixen was still talking. ‘Right,’ she said. ‘Now what about The Meadows? It’s fifty years since the first families moved in and I think we should have a good look at it. At the time it was revolutionary, homes of the future, the perfect place to live.’
‘Bloody hell, they must have been desperate,’ muttered Will.
The Vixen, of course, heard him.
‘Will, you haven’t a bloody clue, have you?’ she said in withering tones, which cheered me up.
Will tried to score some Brownie points. ‘We’ve done quite a lot on the way the school’s improved,’ he said. ‘We’ve had a few interviews with the new headmistress who’s working miracles, Rosemary Picton, and we’re always doing picture stories there.’
‘Yes,’ said the Vixen briskly, ‘and I’m sure we’ll be back to her. An amazing woman. But, as you know, they are using one of the houses on The Meadows for a new reality TV series, The 1950s House , so we need a good look at why people were so pleased to move there. What it was like at the beginning. Why it went wrong in parts. Why other parts are flourishing.
‘We’ll want to take a good look at life in the 1950s. It could make a series of features, but I want some meat on it, not just nostalgia. The Meadows seems a good place to start.’
By now I’d finished gazing at the old editors and was working my way around the myriad awards that The News had won under the Vixen. Suddenly I heard her mention my name. I sat up and tried to take notice.
‘Rosie? Are you with us? I said I think this is something for you. If you wait afterwards, I’ll give you some contacts.’
She always had contacts. I swear she knew everyone in town, not to mention the country. As the others picked up their notes and went back to their desks, she scribbled a name for me.
‘Margaret Turnbull was one of the first people to move in to The Meadows, and she’s lived there ever since. Nice woman, good talker. And she’s actually Rosemary Picton’s mother. When you’ve met Margaret you might get an idea of why her daughter’s so determined to help the children of The Meadows. Anyway, here’s her number. She’ll get you off to a good start.’
With that she gave me an odd look. But her eyes, in that immaculate make-up,