inclinations and connections and weirdness, and especially those bright purple flares that come streaming out of nowhere, announcing that you’re at some mystic juncture or turning point and that you’d better pay attention.
Luckily for me, there have been several such indelible moments, moments that have pressed hard on that quirky narrative I like to think of as the story of my life. For example: at age eight, reading
The Wind in the Willows
. Then saying goodbye to my blameless father (bone cancer). At age fourteen, reading Charlotte Brontë—Charlotte, not Emily. Then saying goodbye, but only tentatively as it turned out, to my mother, a woman called Gladys Shockley Maloney. Next, reading Germaine Greer. Then saying goodbye to my virginity. (Goodbye and goodbye and goodbye.) Then reading Mary Swann and discovering how a human life can be silently snuffed out. Next saying goodbye to Olaf and Oak Park and three months of marriage, and then buying my queer toy house downtown, which I fully intended to sell when the market turned. But unsignalled, along came one of those brilliant purple turning points.
It came because of my fame. My mother has never understood the fame that overtook me in my early twenties. She never believed it was really me, that mouth on the book jacket, yammering away. Neither, for that matter, did I. It was like going through an epidemic of measles, except that I was the only one who got sick.
Six months after
The Female Prism
appeared in the bookstores someone decided I should go on a book-promotion tour—as though a book that was number six on the nonfiction bestseller list needed further pumping up. Istarted out in Boston, then went to New York, Philadelphia, Pittsburgh, and Cleveland, then hopped to Louisville, skipped to Denver and Houston, and ended up one overcast afternoon on a TV talk show in L.A. The woman who interviewed me was lanky and menacing, wore a fur vest and was dangerously framed by lengths of iodine-glazed hair. To quell her I talked about the surrealism of scholarship. The pretensions. The false systems. The arcane lingo. The macho domination. The garrison mentality. The inbred arrogance.
She leaned across and patted me on the knee and said, “You’re not coming from arrogance, sweetie; you’re coming from naked need.”
Ping! My brain shuddered purple. I was revealed, uncloaked, and as soon as possible I crept back to Chicago, back to my ginger-cookie house on the south side, and made up my mind about one thing: that as long as I lived I would stay in this house. (At least for the next five years.) I felt like kissing the walls and throwing my arms around the punky little newel post and burying my face in its vulva-like carving. This was home. And it seemed I was someone who needed a home. I could go into my little house, my awful neediness and I, and close the doors and shut the curtains and stare at my enduring clutter and be absolutely
still
. Like the theoreticians who currently give me a bad case of frenzies, I’d made a discovery: my life was my own, but I needed a place where I could get away from it.
6
God is dead, peace is dead, the sixties are dead, John Lennon and Simone de Beauvoir are dead, the women’s movement is dozing—checking its inventory, let’s say—so what’s left?
The quotidian is what’s left. Mary Swann understood that, if nothing else.
A morning and an afternoon and
Night’s queer knuckled hand
Hold me separate and whole
Stitching tight my daily soul.
She spelled it out. The mythic heavings of the universe, so baffling, so incomprehensible, but when squeezed into digestible day-shaped bytes, made swimmingly transparent. Dailiness. The diurnal unit, cloudless and soluble. No wonder the first people on earth worshipped heavenly bodies; between the rising and the setting of the sun their little lives sprouted all manner of shadows and possibilities. Whenever I meet anyone new, I don’t say, “Tell me about your belief system.” I