Sunset and Sawdust Read Free Page A

the woods.
    “I ain’t gonna let nothing happen to you,” Sunset said. “They’ll hang me and you both, they bother you. I still got five rounds in this gun.”
    “Hanging you with me don’t make me feel no better, Miss Sunset. Dead is dead.”
    “All right. Let me off here. I can walk the rest of the way.”
    Uncle Riley shook his head. “That might look worse, someone see you get off the wagon, they might get me before you can make sure word gets around good. ’Sides, you can hardly sit up.”
    Sunset lifted her head, saw the pine trees on either side of them had been chopped off evenly at the tops by the storm. It was like the Grim Reaper of Trees had taken their heads with his scythe.
    Rolling into the lumber camp, Sunset saw sweaty men working and mud-splattered mules jangling their harnesses, dragging logs toward the mill. And there were long log wagons coming from deep in the woods drawn by rows of great plodding oxen.
    The great round saw in the mill screeched as it chewed trees, and there was the sound of the planing saw as it shaped lumber. The air was full of the sweet sap smell of fresh sawed East Texas pine. Out of a long chute connected to the mill houses came puffs of gnawed wood that floated down on top of a mound of sawdust made dark by time and weather.
    All about were broken limbs and trees twisted up by the storm. A log wagon was turned over and men were busy righting it. A dead ox lay nearby, half covered in fallen logs.
    “Wonder if they even stopped working when the tornado come,” Sunset said.
    “They did, wasn’t long,” Uncle Riley said. “Not here at Camp Rupture. Hell, someone will gut and skin that ox there and eat him by nightfall. A man fell down, they might skin and eat him.”
    “That’s Camp Rapture, Uncle Riley. Not Rupture.”
    “Not if you work here long it ain’t. And I worked long enough to know I didn’t want no more of it. I got a truss on to prove it.”
    “Sure wish I’d just shot Pete in the leg.”
    “Now that I ponder on it,” Uncle Riley said, “I’m starting to agree with you, Miss Sunset.”

2
    As Sunset and Uncle Riley rode in, working men studied them, made note Sunset was wearing only a shirt. They put aside their work and began to move down the hill toward the wagon, like flies to molasses.
    “What you doing with that beat-up white woman?” a man said to Uncle Riley.
    “Just helping her,” Uncle Riley said. Then to Sunset: “See, they gonna cut me or hang me.”
    “Take me to my mother-in-law’s.”
    Uncle Riley looked at the men following the wagon.
    “Oh, heavens,” Uncle Riley said. “They look mean. It’s that kind of mean only a dead nigger can make happy.”
    “I still got the gun. Maybe I can get five of them.”
    “There’s more than five.”
    You could see screened-in sleeping porches on some of the houses, and on the porches were beds and the beds were there to take advantage of the night air and the screens were there to baffle the mosquitoes. The houses were painted industrial green and were jacked up on blocks or pilings. All around the houses chicken wire had been nailed and inside the wire, under the houses, chickens and geese pecked about. Most of the windows were black with soot from the power house and the grassless yards were sprinkled with sawdust from the mill.
    Sunset’s mother-in-law’s house was classier than the rest. Had wooden shingles, electricity and fresh paint. Stood on treated pilings and there were no chickens under the house. They were confined to a large pen and chicken house out back, and they were fed in troughs and their water was in a big tub and it was changed daily. By the chicken house was a fenced-in lot and a shed containing a hog and piglets. The windows were fresh scrubbed and the yard had been raked clean of sawdust and there were marks in the dirt as if a giant hen had been scratching for worms.
    The sleeping porch was large and not screened in, but framed by windows that could be