come,â he mumbled. âDonât worry.â The evening passed like that, until the neighbors lost interest or tired of waiting.
My room was in the middle of the hallway that led from the living room. Across from my door was the master bedroom, next to the bathroom-cum-toilet. The kitchen was at the end of the hallway. My room was smallâabout ten feet by fiveâand it had been made, but the sheets were thrown, without tenderness, over the bed; the rug on the floor was askew; papers were stacked untidily in the corner; the curtains were tied up near the rod. The welcome had been brief; the warmth was now gone. I felt only accommodated.
Lying in bed I looked at the ceiling, at the disfigured panel of patchwork plywood. The grain on the sassy woodâash black, insect resistantâhad expanded in the cycles of rain and heat, twisting its surface and making the panel sag like the skin of some large animal. Above my face the wood had rotted and split. I wondered if it could crack open, and if the roof would then fall.
Two weeks before, I might have moved my bed. But I had realized the futility of worrying in such a place: the threats were too many. And I took my new indifference as a sign that I was settling in.
I lay awake, thinking. Guy and his place had seemed so strange; the feeling of loss returned.
But at midnight the church bells sounded and the sopranos began at Bozeneâs evangelist choir; and I could no longer think. Mosquitoes buzzed my ears like little biplanes from a World War I film. I tried to swat them but hit myself. The fan stood beside my face. I pushed its plug harder into the socket, hoping to see the blades rise into action. Nothing. My head dropped to the pillow, and I heard my lips flutter as I softly blew air between them.
Sometime at night I went to the kitchen. Rats banged through the metal pots when I turned on the bulb. The fridge was empty but for fungicide creams. I wet a towel and draped it over my pillow, to keep down the dust and provide temporary coolness. The sopranos sang all night, without rest, and by morning I knew their songs so well that I hummed them in the cold and brown-water shower I made by emptying a bucket over my head.
The night had made me restless. I wanted to get out.
2
I had left for Congo in a sort of rage, a searing emotion. The feeling was of being abandoned, of acute despair. The world had become too beautiful. The beauty was starting to cave in on itselfârevealing a core of crisis. One had nothing to hold on to.
I was at the time at university in America.
The professorâs eyes gleamed. His gaze penetrated, even frightened. Serge Lang, a legend of mathematical theory, sat behind his large desk, a black telephone to his one side and, on the other, a wall covered with yellow hardbound mathematics classics that he had written.
He was a fiery man, bursting with vitality. He screamed at his students, threw chalk at us in class. He shouted with his nose held to our faces. âTruth! Clarity!â He pressed his forefinger into our chests in the middle of arguments. But Lang and I got along. I liked his fury and candor. And he believed in my mathematical ability. When he saw me devour his classroom material he delightedly goaded me on. He wanted me to see more. Over three years he gave me more than two thousand dollarsâ worth of his textbooks. I cared for them as my small treasure. Istudied them in our stone department building, near his office, feeling pleasure and satisfactionâconvinced that I was going to become a professor.
But on this day it was with those same yellow books, piled high in my arms, that I stumbled into his office. The professorâs gaze set on me. I put the books on his desk. Lang frownedâhe had understood.
âWhat happened?â he said. The anger was gone. He looked distraught. I felt as if I had betrayed him.
It was for the beauty that I had stayed. The beauty of the world in those
Kevin J. Anderson, Rebecca Moesta