to use only a portion of his energy. He said, âItâs dumb to get mad at the help for what the masterâs doing. I got a young lady waiting outân the living room wants to proposition me . . .â
Mokeâs voice said, âYou calling that little piss squirt my master? Jeez-us Christ.â
It stopped Chucky cold. He cocked his head, looking at the telephone machine on his desk.
âThere may be hope for you yet,â he said, beginning slowly. âIâve seen white boys, fine young men, take on that greaseball strut, that curl to the lip, andland in a federal correction facility for showing off. Isnât anything the DEA despises worseân a white boy turned spic or hippie on âem. You worked for me Iâd dress you up, Mr. Moke.â
âThank the Lord Jesus I donât,â Mokeâs voice said, still not hiding that unruly twang.
Push him some more. âYou believe,â Chucky said, âI canât change your life or even bring it to a close?â
âI would like to see you step up and try,â Mokeâs voice said, with enough pure bottomland in it to make Chucky break into a grin as he stepped over to the tree and exchanged the yachting cap for the big straw cowboy hat.
He reached back in his mind and across the river thenâtake Crump Boulevard from the VA hospitalâall the way over to West Memphis to get more of a shitkicker edge to his tone and said, âTell me something, Iâm curious. Where you from? Iâm going to say . . . you ready? Iâm going to say inside of fifty miles of some snake bend in the Red River. Am I right or wrong?â
There was a long hesitation before Mokeâs voice said, âHowâd you pick that out?â
âIâm right, huh? Where you from?â
âTexarkana.â
âYou donât mean to tell me. Come on,â Chucky said, âI was going to say Texarkana and I chickened out. I just had a strange feeling.â
âYou did?â
âListen, tell me something else. Whatâs a cowboy like you doing working for a pack of breeds?â
âMaking wages,â Mokeâs voice said.
Chucky waited a moment, holding himself still. âI bet youâve never been turned loose, kicked outta the chute, so to speak. You know what Iâm saying? Allowed to show what you can do.â
âI bet I havenât neither.â
âYou donât take part in that weird santerÃa shit, do you?â
âThey start painting chickens I go on over to Neon Leonâs have a cold beer.â
Chucky waited again. It was hard.
âHey. I just had a thought. What would you say to coming by here for a few cold ones, tell some lies? Say tomorrow? I got a hunch about something.â
âWhatâs that?â
âI donât want to talk about it over the phone. Letâs wait till tomorrow.â
âI suppose I could stop by,â Mokeâs natural voice said.
âFine,â Chucky said. âYeah, hey. Tell that weird Cuban I need a word with him. You suppose you could do that for me?â
âIâll see what he says,â Mokeâs voice said.
âShake her easy,â Chucky said.
He sighed, worn out, switched off the system. Like trying to get a little girl back in olden times to take off her panties. It was hard labor, what you had to do to cover your ass and stay ahead. Work work work:
Moke did strongarm chores for the Cuban. Moke would be a dandy choiceâdumb, eager and right thereâto take the Cuban out should the need arise.
3
SHOTGUN NEWS, KYLE MCLAREN LEARNED, offered a lot more than shotguns. It was a tabloid-size catalogue of military weapons and gear: rifles, handguns, nasty-looking submachine guns, knives, machetes, steel whips . . . steel whips?  . . . Dutch army helmets, mustard gas in a handy ten-ounce aerosol container . . .
It occurred to