world and whatever world they are writing about at the same time. They go back and forth between the two at the drop of a hat. What happens in the first suggests what might happen in the second. Daydreaming takes on an entirely new meaning. I am particularly bad about this. I can go away from a conversation in an instant, leaving this world for the one in which I am working, lost in an idea or a plot development. It happens at parties. It happens in the middle of conversations. I donât have any control over it, and I am not sure I want to. I think it is the source of my creativity, and I donât want to disrupt the process.
It may be that writers are actually happier living in their books than they are in the real world. There is evidence of this in the way writers immerse themselves in their fiction. How many times have you heard it said about someone that they are happiest at their work? Writers are like that, whether they admit it or not. But while most jobs fall into the nine-to-five category, fiction writing is a twenty-four-hour-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You donât take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
Whatever the behavioral propensities of writers and regardless of the prerequisite of a proper genetic makeup, they still have to find their way to their craft. I suspect that there are as many ways of this happening as there are stories of being published. Since I cannot speak for other writers in this matter, except to the extent that their experiences are the same as mine, I shall stick to what brought me into the fold.
I submit that it has mostly to do with how I grew up. But you must judge for yourselves.
I was born in a small midwestern town in the mid-1940s. Sterling, Illinois, had a population of about fifteen thousand and was situated directly across the Rock River from the city of Rock Falls with a population of about ten thousand. They were essentially steel towns settled in the middle of farm country about a hundred miles west of Chicago. My father, back from the war, worked at a small printing company where he was the junior partner. My mother was a housewife. They werenât Ozzie and Harriet, but they werenât all that different either.
Because my growing up took place during the late 1940s and early 1950s, my life was different from that of todayâs kids. I know. Duh. But I mean
really
different. Allow me to illustrate. There werenât any computers or video games. There werenât any videos. There werenât tape players or CDs. Television was a luxury. There wasnât a television in my house until I was six, and even then it didnât offer much programming for kids; Saturday mornings and after-school serials were about it. There were movie matinees every Saturday afternoon, but nothing midweek or at night. Mostly, there was radio, comics, and books.
I can see it in your eyes.
How old is he?
There wasnât a lot in the way of kidsâ toys either, so even if you had the money, which most of us didnât, there wasnât much to choose from in any case. There was very little toy merchandising connected with television or movies. No one had tapped into that gold mine yet, and the world probably wasnât ready for it anyway.
Mostly, kids were expected to entertain themselves and stay out of their parentsâ hair. To that end, you were sent outside to play at the drop of a hat. It wasnât an option; it was a standing mandate. If there wasnât a winter blizzard or a spring rainstorm or a summer heat wave, you went outside and stayed outside until the next mealtime came around.
The neighborhood I grew up in was my designated playground. My boundaries were carefully laid outâwest to Avenue J, east to Avenue G, south to 12th Street, and north to the