blue no colour there we walked kept to the walls when possible expecting that predictable geometry would save us in the end from paths of intersection and then events became confused degrees of angles something we intended did not flex broke through the surfaces of diagrams and entered structure so that even now two hundred well placed orange trees lead off to nowhere bulbs pulsing underground anticipate survival we’re stopped here frozen to the marble of the balustrade where vanishing points beckon
III Before I came to move again this man prepared to organize restrain the landscape a simple act of laying hold of paper pencil ruler a protractor and clumsy shovels projecting from the end of several brown arms no complex survey tools the paths he chose were marked by hand with chalk or maybe twisted ribbon back to design the arrows on the paper which follow to the target of translation they projected from the eye and then the arm of what would seem a softer individual but long before the workmen bent to turn aside the first inch of the earth design had settled hard in this man’s head more like concrete than a garden
IV Thresholds existed and I might have voyaged out at any moment past the rusted cage of gates and into intense disorder instead I walked for months around ambitious cultivation aware of intervals of timber and of fountains the scrape of rake against a thousand pebbles the dull insistent questions of the statues and when his smile exposed the iron teeth of garden tools I felt the silver of the thresholds glisten out to me but I was captured by his will the formal garden and welded too by indecision to the holy taste of ash around his mouth
V In winter trees exploded up against the sky like black fireworks they touched to make the tunnels that I moved through the sun is gone I thought until I captured its reflection in the dirty water of canals and then I took it in my eyes and held it there the after image burning permanent diamonds on the folds inside my brain these were the personal adornments that I carried with me always always so I could not see around them or beyond them could not see beyond them out to the shadow of another burning image he walking unescorted through the garden half a mile away
VI Dust on satin the soft hems of my clothing and I believed it pleasant to carry something of the garden to my wardrobe like silver powder drawn to me by some remote magician pleasanter let’s say than stunted vegetation reality made dirt of it of course and quickly cleaned it from the tissue of my skirts the brass and bristle of the clothes brush in the cool hands of the servants their motions so deliberate and so angry it was the way they disapproved of me that brushed aside the traces of peculiar recreations the way they disapproved of subtle dust on satin and all those mornings that I emptied free of time walking walking walking in that foolish garden
VII Spring was worst a little wind would settle in warm moist disorganized pushing line away from the clutch of