âhow it all startedâ?â
âA ladyâs modesty given fleshly outrage,â Jervis said.
âWhich lady?â Ursula said.
âThen friends and relatives ran to her defence. A coach full, from Kidderminster.â
âOutraged how?â Lepage asked.
Jervis said: âI have to piece things together from all the screaming, howling, bellowing, but as I hear it, she was by herself in that cosy ancient peasant room off the Folk Hallââ
âMiddle Ages Domestic Scene, yes,â Lepage said.
âWax models of some early-century yokels and their kids having the much-missed traditional Old English breakfast â a couple of swedes, some dandelion leaves and an acorn, you know. Suddenly, the Dad figure stands up from his tree stump â yes, this dummy gets to his feet and offers the solitary, lady visitor a big, inviting grin from behind the medieval moustache and whiskers, then drops his trousers and gives her a full meat and potatoes frontal. This was a pre-boxer-shorts epoch. She screeches and passes out. Well, who wouldnât? This is a meaningful tableau! I heard her cries, and visitors heard, and we all came rushing. She stirs a bit on the floor and does something of an explanation â âthe patriarch, a flasherâ was how she finished. Friends of hers go berserk and start attacking the models, pulling garments awry, looking for any more working vitals, but theyâre all just models, nothing there but seams. Heâs gone, scarpered, while she lay out for the count. So they turn on Mr Hamilton and me and the other porters whoâve arrived because of the din. I mean, these visitors have come to believe this is what the Hulliborn stages as the normal thing, and theyâre upset, belligerent.â
Simberdy boomed: âDonât you see, all of you, itâs someone who aims to sabotage our standing with the Museums Inspectorate, and destroy our chance of hosting JASS? Iâve dreaded something of this sort.â
âFalldew,â Beresford hissed. âNevilleâs name is written all over it.â
âShe didnât mention no tattoo,â Jervis replied.
From the door, Ursula said: âAs to that, is there a description of the perpetrator at all?â
âWell, heâs covered in hair, isnât he?â Jervis said. âCouldnât see much face, most probably. But tall, I understand, thin, and the woman said glassy blue eyes; glassy, mad blue eyes.â
âAnd?â Ursula said.
âDr Wex?â Jervis asked.
Ursula stared towards his crotch.
âOh, I get it,â Jervis said. âYour special knowledge. But all the woman said was it seemed very present-day and alive, not a prop.â
Four
So, Lepage, in charge, hurried excitedly towards the door and Ursula. Perhaps if the job was going to be like this he wouldnât want early retirement after all. As he stepped into the corridor, he heard Simberdy call: âDirector, nothing extreme, I beg. No police. Donât invite media interest. TV! Christ, think of it. Something unkind, satiric from Bernard Levin! Remember JASS.â
Simberdy was right to detect overtones. The Hullibornâs fight for status might typify many a similar fight in Britainâs menaced cultural bodies. Although his views about his own future might vary, Lepage would never deny a strong love and admiration for the Hulliborn. After all, he had been here for fifteen years and was fond of its big, ugly buildings and its galleries smelling of floor polish and school groups. He wished the Hulliborn only good, more or less.
Another factor: Julia wanted him to collect a knighthood for his time at the top of the Hulliborn, in line with Flounceâs and the previous Directorâs. It had to be admitted that Julia could be a bit of a snob. It had to be admitted, too, that there were times when this side of her came near to turning him fatally off. Julia liked being