as fruit on a china plate. Scarlet ribbons threaded through hems, sleeves, stomachers. 'Why can't you be a dressmaker now, though, Mother?' she said suddenly.
Susan Digot let out an impatient sound. 'Such impossibilities you invent, Mary. I never got the skills for more than hemming, did I? And where would I be supposed to get the capital to start up for myself, or the space for a shop likewise? Besides, my eyes aren't what they were. And isn't London choked with dressmakers already? What could possess anyone to hire me?'
Her voice grated on her daughter's ears. Dreariness and complaint, that was all she ever spoke nowadays. Mary tried to remember the last time she'd heard her mother laugh.
'Besides,' the woman added sternly, 'William provides for us now.'
Mary kept her head down so her mother wouldn't see her face.
She was sure there had been better times, when she was small and her mother was still Mrs. Saunders. There was a tiny picture in the back of Mary's mind of being weak after a fever, and her mother holding her in the crook of her arm, and feeding her warm ale posset with a pewter spoon. The posset was soft on Mary's throat, going down. The spoon must have been lost since, or pawned maybe. And she was sure she remembered Cob Saunders too, the vast shape of him against the light as he worked by the window, his hammer as sure as a heartbeat. The dark fuzz of his beard used to catch crumbs; after supper he'd lift his small daughter onto his lap so she could comb it with her fingers. Mary couldn't have made up a picture as vivid as that, could she? She knew it was from her father she'd got her height and her dark eyes and hair; all she had of her mother's was a pair of quick hands.
Even the food had been better in those days too, she was sure of it. She thought she remembered a week when there'd been more than enough of everything, after Susan Saunders had made a big sale, and the family had fresh meat and tuppenny ale, and Mary was sick all down her shift from the richness and the thrill of it, but no one got angry.
'How many is that, then?' said her mother, and Mary was jolted back into the present, the fading light of afternoon.
She looked down uncertainly at the pile of pieces on her lap. 'Fifty-three, I think, or maybe fifty-four...'
'Count them again,' said her mother. Her voice sagged like an old mattress. 'Maybe's no good when the Master sends for them, is it?'
Mary started again as fast as she could, thumbing the pieces but trying not to dirty them, while beside her Susan Digot bent closer to her sewing. 'Mother,' the girl asked, struck by a thought, 'why didn't you ever go back to Monmouth?'
The seamstress gave a little jerk of her shoulders. 'Cob and I, we didn't fancy crawling home with all our mighty plans demolished. Besides, he wasn't a man to give up hope. He had a liking for London,' she said contemptuously. 'It was his idea to drag us here in the first place.'
'No but afterwards,' the girl said eagerly, 'after my father died.' She could see it like a tale in a book; herself as the little girl in her widowed mother's tender arms, the two of them costumed in black satin, jolting along in a plush-lined coach to the fabled city of Monmouth where the air smelt clean and the people smiled at each other in the street.
Her mother shook her head as if there was a bee buzzing in it.
'You make your bed,'
she quoted,
'and you lie in it.
This is where the Maker has put me and this is where I'll stay. There's no going back.'
And there was never any arguing with that.
One damp November evening Mary had been sent in search of a shell-cart for tuppence worth of winkles when she bumped into the ribbon peddler coming out of an alley off Short's Gardens. He opened his coat at her like a pair of wings. Mary backed away in fright. His coat was old, blackened at the edges. But there, pinned to the lining, long and snaky and curled at the end like a tongue: the very match of the harlot's ribbon.
'How much for