cordoned off, and my officers are interviewing everyone who was hanging around the church. Plus, weâre canvassing the neighborhood.â
âI think some people left before you got here,â said Ava.
Gallant leaned forward. âDid you get a look at them?â
Ava shook her head. âNot really. It was more like hearing them.â She looked suddenly thoughtful. âYou know how when youâre in church youâre aware of people nearby, you hear their voices and shufflings and such, but you donât really look at them?â
âI suppose,â said Gallant. He seemed keenly disappointed that Ava wasnât able to give him a complete description. He directed his gaze at Carmela. âYou said earlier that you thought the killer was wearing a brown robe?â
âHe definitely was,â said Carmela. âLike a monkâs robe. Dark brown with a deep cowl and hood.â
âWith a white rope knotted around his waist,â Ava added.
âThereâs a bunch of those robes hanging in the back room on a row of hooks,â Gallant told them.
âThatâs a problem, then,â said Carmela. âIt means anybody could have grabbed one and thrown it on.â
Gallant shifted on the uncomfortably hard pew. âWhatâs the story with the garden and graveyard outsideâall the digging and the stakes and ropes and things? Either of you know?â
âItâs an archaeology dig,â Ava told him. âBeen going on for almost four months now.â
âDo you know whoâs in charge of it?â asked Gallant.
Ava shrugged.
âIâm pretty sure itâs the State Archaeology Board,â said Carmela. âWith assistance from students at Tulane.â She paused. âAt least thatâs what the article in the Times-Picayune said.â
Gallant jotted something in his notebook. âThey find anything?â
âTen feet down,â said Ava, âthey discovered the ruins of the original church. The one Père Etienne founded back in 1782.â Père Etienne had been a Capuchin monk whoâd been a much-beloved figure because of his tireless work with the sick and the poor.
Gallant looked mildly interested. âRuins, huh. Anything else?â
âThey also unearthed an antique silver-and-gold crucifix,â said Ava, âbelieved to have been the personal crucifix of Père Etienne.â
âWhich was stolen during the murder,â Carmela said suddenly, almost as an afterthought.
Gallant reared back. âWhat? A crucifix was stolen?â
âFrom the saintâs altar,â said Ava. âWhere Byrle was killed.â
âI think,â said Carmela, âByrle was struggling with her killer, trying to wrest the crucifix back from him.â
âWhy didnât you mention this sooner?â Gallant demanded.
âBecause,â said Carmela, âwe thought it was more important for you to dispatch your men immediately to hunt down suspects.â
âSo a robbery and a murder.â Gallant stroked his chin with his hand. âI wonder . . . was this crucifix terribly valuable?â
âByrle thought so,â said Carmela. âAfter all, she gave her life for it.â
Chapter 3
T HE tiny brass bell over the front door da-ding ed melodically as Carmela and Ava slipped into Memory Mine. At ten oâclock this Monday morning, Carmelaâs scrapbook shop already held a half-dozen customers. Eager scrapbookers and crafters busily browsed the floor-to-ceiling wire mesh baskets that held thousands of different papers, perused newly arrived rubber stamps, and sorted through various packages of stickers, brads, beads, tags, and embellishments, to say nothing of embossing powders, ink pads, and spools of ribbon.
The hum of activity was a welcome sight to Carmela, whoâd come through a few lean years since that gigantic hiccup known as Hurricane Katrina. Business was