lived to see them, and thrived having all four of her girls home at the same time. She talked about it all year. There was no phone in Annie's quaint apartment, but her mother called her often on her cell phone to see how she was, and she loved hearing the excitement in her daughter's voice. Nothing thrilled Annie more than her work and the deep satisfaction she derived from studying art, here at its most important source, in Florence. She got lost for hours at times in the Uffizi, studying the paintings, and drove often to see important work in neighboring towns. Florence was Mecca for her.
She had recently become romantically involved with a young artist from New York. He had arrived in Florence only six months before, and they had met only days after he arrived, when she got back from spending Christmas with her family in Connecticut. They met at the studio of a fellow artist, a young Italian, on New Year's Eve, and their romance had been hot and heavy ever since. They loved each other's work, and shared their deep commitment to art. His work was more contemporary, and hers more traditional, but many of their views and theories were the same. He had taken some time out to work as a designer, which he had hated, calling it prostitution. He had finally saved enough money to come to Italy to paint and study for a year.
Annie was more fortunate. At twenty-six, her family was still willing to help her. She could easily see herself living in Italy for the rest of her life, nothing would please her more. And although she loved her parents and sisters, she hated to go home. Every moment away from Florence and her work was painful for her. She had wanted to be an artist ever since she was a little girl, and as time went on, her determination and inspiration grew more intense. It set her apart from her sisters, whose pursuits were more worldly, and who were more involved in the moneymaking world, her oldest sister as an attorney, her next sister as the producer of a TV show in L.A., and her youngest sister as a supermodel whose face was known around the world. Annie was the only artist in the group, and could not have cared less about “making it” in the world as a commercial success. She was happiest when deeply engrossed in her work, and never even considered whether it would sell. She realized how lucky she was to have parents who supported her passion, although she was determined to become self-supporting one day. But for now, she was soaking up ancient techniques and the extraordinary atmosphere of Florence like a sponge.
Her sister Candy was in Paris often, but Annie could never tear herself away from her work to see her, and although she loved her youngest sister deeply, she and Candy had very little in common. When she was working, Annie didn't even care if she combed her hair, and everything she owned was splattered with paint. Candy's world of beautiful people and high fashion was light-years from her world of starving artists, and discovering the best way to mix her paints. Whenever she saw Candy, her supermodel sister tried to convince Annie to get a decent haircut and wear makeup, and Annie just laughed. It was the farthest thing from her mind. She hadn't been shopping or bought anything new to wear in two years. Fashion never made a blip on her radar screen. Annie ate, slept, drank, and lived art. It was what she knew and loved, and her current boyfriend Charlie was as passionate about it as she. They had been nearly inseparable for the past six months, and had traveled all over Italy together, studying both important and obscure works of art. The relationship was really going well. As she had told her mother on the phone, he was the first noncrazy artist she had ever met, and they had so much in common. Annie's only concern was that he planned to go back to New York at the end of the year, unless she could convince him to stay. She worked on him every day to extend his stay in Florence. But as an American, he