For the first time, he realized that being a
yoriki
offered many opportunities for seeking the truth, and just as many rewards for finding it. More, perhaps, than his work as a scholar, poring over old documents. But he wondered uneasily how many more enemies he would make.
It was early afternoon by the time Sano returned to the administrative district, located in Hibiya, southeast of Edo Castle. There the cityâs high officials had their office-mansions, where they both lived and worked. Messengers bearing rolled documents passed Sano as he rode along the narrow lanes between earthen walls that shielded the tile-roofed, half-timbered houses. Dignitaries dressed in bright, flowing silk garments walked in pairs or groups; fragments of conversation dealing with affairs of state and the latest political gossip reached Sanoâs ears. Servants scurried in and out of the gates, carrying trays stacked high with lacquer lunchboxes. The thought of those delicacies made Sano regret the greasy noodles heâd eaten at a food stall on his way back. But the arson investigation had taken longer than heâd anticipated, and the quick though unpleasant meal heâd had would let him return to his other duties without further delay. Turning the corner, he headed toward police headquarters.
â
Yoriki
Sano-
san
!â A breathless messenger ran up to him, ducking in a hasty bow. âPlease, sir, Magistrate Ogyu would like to see you at once. In the Court of Justice, sir.â He raised questioning eyes for Sanoâs response.
âVery well. Youâre dismissed.â
A summons from the magistrate could not go ignored. Sano changed course.
Magistrate Ogyuâs mansion was one of the largest in the district. At the roofed portals of its gate, Sano identified himself to a pair of guards dressed in leather armor and headgear. He left his horsewith them, then entered the mansionâs grounds and threaded his way through a small crowd of townspeople gathered in the courtyard. Some were waiting to bring their disputes before the magistrate; others, accompanied by
doshin
and with their hands bound by ropes, were obviously prisoners awaiting trial.
Sano paused at the main entrance of the long, low building. Barred wooden lattices covered the windows. The roofâs projecting eaves cast deep shadows over the veranda. Seeing the mansion for the first time, he had imagined its dark, brooding appearance symbolic of the often harsh sentences pronounced inside. The surrounding garden, with its unlit stone lanterns and skeletal winter trees, reminded him of a graveyard. Shaking off his fancy, he climbed the wooden steps. At a nod from the two guards stationed there, he opened the massive carved door.
âBlacksmith Goro.â Magistrate Ogyuâs reedy voice echoed across the long hall as Sano paused in the entryway. âI have considered all the evidence brought before me regarding the crime with which you are charged.â
Sano went to wait at the back of the hall with the samurai courtroom attendants. At the far end, Magistrate Ogyu knelt upon the dais. A thin, stoop-shouldered old man, he seemed lost in his voluminous red and black silk robes. Lamps on either side of his black lacquer desk lit him like a figure on stage. The rest of the room was dim; sunlight filtering through the latticed rice-paper windows provided the only other illumination. Directly before the dais was the
shirasu
, an area of floor covered with white sand, symbol of truth. There the accused man, bound at wrists and ankles, knelt on a mat. Two
doshin
knelt on either side of the
shirasu
. A small audienceâwitnesses, the accusedâs family, and the headman of his neighborhoodâformed a row toward the back of the hall.
âThat evidence indicates beyond all doubt that you are guilty of the murder of your father-in-law,â Ogyu continued.
âNo!â The scream burst from the accused man. He writhed on the mat,