Tags:
Fiction,
General,
detective,
Suspense,
Mystery & Detective,
Mystery,
Private Investigators,
Mystery Fiction,
England,
Short Stories,
Fiction - Mystery,
Holmes; Sherlock (Fictitious Character),
Detective and Mystery Stories; English,
Watson; John H. (Fictitious Character),
Traditional British,
Private Investigators - England,
Mystery & Detective - Traditional British,
Mystery & Detective - Short Stories
Lord Arthur playing Schumann. Not much to go on.”
“My dear fellow, I am nowhere near my conclusion yet. I promise you I have a good deal more to go on. Look at the lower half of the keyboard, by the way. Tell me what you see.”
“There are no prints on the lowest twelve keys, black or white. All the rest seem to have been touched.”
“Exactly. It will not surprise you to learn that those are the very notes not required in playing Schumann’s exquisite sketch.”
“But Holmes, there is no dispute that Lord Arthur played that piece on this piano.”
“There would have been a great deal of dispute if we had asked Lord Blagdon, or indeed Lord Arthur himself, for a set of our subject’s finger-prints as though he were a common criminal. He is a young man of excellent family and as yet unblemished reputation. Therefore he is likely to resist being treated as a suspect. None the less, we now have what we want: a set of his finger-prints is essential if our investigation is to be successfully carried out.”
There was little point in arguing. In any case I must either concede that Holmes was right or, at least, suspend my judgment. He left the lid of the keyboard open and turned instead to the display case with its magnificent collection of Sèvres porcelain. It was the most remarkable example of eighteenth-century craftsmanship. Its vases, cups, tableware, and bonbon dishes were fit for a royal drawing-room.
He carefully opened the unlocked glass doors.
“I think we shall find very few finger-prints of any kind here, Watson. The servants in great houses are taught to dust such treasures, on the rare occasions when they do so, by holding them in a cloth without allowing their fingers to touch the polished surface. It would not do for a housemaid’s or even a butler’s greasy thumbprint to blemish the display.”
“Lord Arthur used no duster.”
“No. Curious is it not that a man who wore gloves on most occasions—except when playing the piano which he could hardly do with gloves on—should have left them off while practising the art of burglary. That may be the answer to everything.”
“He cannot have expected to be caught.”
“He cannot have expected to be seen, rather,” said Holmes with quiet emphasis.
“Then why play the piano without gloves in front of others?”
“We shall have an answer to that without leaving these rooms. For the moment, I should value your assistance in taking the pieces of porcelain as I hand them to you and putting them gently on the table behind you. Please avoid marking them with your own fingers and preserve the prints already there. We shall not need to look far. We have it on Lord Blagdon’s authority that whatever interested his cousin was comfortably within his reach as he stood at the opening of the cabinet doors, where we are now. I doubt whether we need examine more than a dozen items.”
As it proved, we required eight. Four of these were a fine set of Sèvres vases with gilt handles and ornament, each bearing a garden scene set in royal blue lustre, taken from a painting by Fragonard. Holmes tested all four with dark powder. They had been dusted some time ago but not marked since. A satin-pink gilt-edged dessert plate bore the signs of the zodiac but no finger-prints. Two Meissen vases decorated in blue on white with a pattern of Indian flowers required both light and dark powder but yielded no prints. Holmes was evidently correct that all these had been dusted, polished and then put away without the fingers of the servants touching their surfaces once the cleaning had been completed.
Then my friend took a dainty Sèvres bonbonnière. It was in richly enamelled porcelain, a rectangular chocolate-box, some six inches across. Edged by a motif of golden fleurs-de-lys, its centrepiece was a golden knob by which the lid was lifted. On each of its sides, the face of one of the winds was painted in natural tones, Boreas for the North, Auster for the South,