what Lee would do with Margaretâs things â her clothes and her saved mementos. Though there would be no raffling of Margaretâs belongings, at least one item should have been. Rachael. Tatum suspected that Margaret would have been more comforted by a raffle to the general public than her husbandâs decision.
By the time she emerged from the den, the mourners had dispersed, leaving crumpled napkins and glasses of melting ice. Tatum collected some glasses and dropped them off on the kitchen counter. Margaretâs friends filled Tupperware and washed the dishes brought full of microwaveable comfort to swallow and digest along with the immutable facts. Tatum couldnât detect an opening in the kitchenâs traffic pattern, a way to jump in with dishtowel or sponge, so she said good night.
Tatum stepped out the front door and looked at the sky. Reluctant reds and golds crushed down into the horizon. It was her time. Vincent always knew that dusk was her moment and would put his arm around her as she gravitated to the window, the porch, wherever she had to go to witness, to see the cars opening their eyes, waking to their true and secret selves. The stars emerging, twinkling with sly. Vincent told her on one of the first nights they were together that she was born with a broken heart, and she believed he knew her for that one line.
What was it? Six months? A year? Before his tenderness turned to a sigh and an exasperated, âLighten up.â
Alas, love is not unconditional. Like all living things, it thrives when conditions are right, withers in a drought or if it is cut off from light.
Tatum sat on the concrete step and looked out at a strip of deep purple squeezed between the darkening sky and horizon. Sunset on the day of Margaretâs funeral. Tatumâs stomach turned.Sick with grief, she thought, though her eyes stayed dry.
Death. Tragic and unfathomable. Yet, Tatum found in it something satisfying. It was, in many ways, a relief. In every other part of our lives we have options. We make choices, and we get second chances, opportunities to correct choices poorly made. We lose things but know thereâs the remote possibility of getting them back, finding them in a forgotten drawer or pocket, of seeing them at an airport in Denver or Salt Lake. But not when someone is dead. Dead is done. That person is gone. Nothing you do, no corrective actions or changes of mind or personal transformations will alter that fact. It is final. Something where the only option is to let it be.
3
î
Paris arrived at Tatum and Genevaâs duplex and turned the key in the lock of the front door. Inside, there were two more doors, Tatumâs on the right, Genevaâs on the left. The old brick building was worn but not dilapidated. The crown molding in the hall was dark and heavy; the baseboard, faded and scratched. The hardwood floors were unrestored but far from shabby. There was nothing new and nothing flimsy about any of it.
He tended to his chores at Genevaâs first, buying time to see if he could concoct a reason for entering Tatumâs apartment, even if just for a second, to breathe in its scent, which was the scent of Tatum. But in fact, it was hardly a smell at all. It was more like the promise of one, or one just missed. Something fresh and wet.
But there would be no reason to enter. Last time he had the key, he had snooped through Tatumâs things, all the while skin prickling with the electricity of doing wrong and feeling watched. But God wasnât watching Paris from an unseen place. Paris was watching Tatum. He opened bedroom drawers to untidy piles of clothing. He didnât rifle, but he touched. At her nightstand drawer, he let his fingers shuffle past the flashlight, broken necklace, and Canadian money to the file folder. He lifted a corner of it and, upon seeing the black-and-white photo within, withdrew the folder from the drawer. The picture inside was of Tatum
Ann Voss Peterson, J.A. Konrath